Sao Miguel Defend Us

Joe sits at his laptop late at night, typing a new screenplay. At the top of the page he writes:

MICHAEL 2 – A Film for John Travolta

He leans back and laughs to himself.

“Alright,” Joe mutters, “let’s give John Travolta another set of wings.”

On the screen, the script begins.


INT. JOE’S BASEMENT – NIGHT

Joe sits at a cluttered desk with coffee cups, vitamin bottles, and pages of notes. Nelly walks in and looks at the script.

NELLY
What are you writing now, Joe?

JOE
A sequel.

NELLY
To what?

Joe spins the laptop around.

JOE
Michael 2.

Nelly squints.

NELLY
The angel movie?

Joe nods.

JOE
Yeah. The first one starred John Travolta as a goofy angel. But this time it’s different. This time the angel remembers what the war in heaven was really about.

Joe starts pacing like a director explaining a scene.

JOE
The angel Michael comes back to Earth. Not to party, not to flirt… but to remind people how to fight pride.

Nelly raises an eyebrow.

NELLY
And who’s the villain?

Joe taps the keyboard and points to a line in the script.

JOE
Pride itself. The thing that turns angels into devils.

He points to another page.

JOE
In this movie, the angel Michael meets a guy named Joe. Just a regular guy who says he has to swallow his pride every day.

Nelly laughs.

NELLY
You wrote yourself into the movie?

Joe shrugs.

JOE
Of course. Every writer does.

He reads aloud from the script.

JOE (reading)
“JOE: I swallow my pride every day. That’s why I identify with Saint Michael the Archangel, São Miguel. The warrior who stands up to the dragon.”

Nelly sits on the couch.

NELLY
So Travolta plays the angel again?

Joe grins.

JOE
Yeah. But this time he’s not just a funny angel. This time he’s the guy reminding humanity that pride is the oldest trap in the universe.

Joe types the final line of the scene.

JOE (typing)
“MICHAEL spreads his wings and says: The hardest battle isn’t heaven versus hell. It’s a man versus his own pride.”

Joe leans back, satisfied.

JOE
Hollywood won’t see it coming.

Nelly shakes her head and laughs.

NELLY
Joe… you really think Travolta will read this?

Joe closes the laptop.

JOE
If he wants the best sequel of his career… he will.

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Marriage Proposal

Joe takes Nelly’s hands and tries to steady his voice.

“Listen,” he says, half-laughing through the nerves, “I’ve got a hernia, and chasing this idea that you’re waiting for some flawless savior nearly broke me. I know I’m not perfect. I’m stubborn, I overthink, I limp a little when it hurts. But I can try. I can show up. I can grow. Nothing is impossible if you try.”

He softens.

“I don’t want to be your hero from a movie. I want to be your partner in real life. The guy who carries the groceries, who sits with you in the waiting room, who believes in you when you forget how. So… marry me. Not because I’m perfect. But because I’ll keep trying, every single day.”

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Grim Ranks of 1991

Speech: “The Betrayal of 1991”

Brothers and sisters,

In 1991, Croatia did not ask for luxury.
She did not ask for comfort.
She asked only for courage.

And her sons answered.

They were not mercenaries.
They were not ideologues.
They were farmers, mechanics, students, dockworkers, poets.
Men who had never fired a rifle—until history placed one in their hands and said: stand, or disappear.

They stood.

They stood against tanks with hunting rifles.
They stood against empires with prayer.
They stood while Europe watched, calculated, delayed, and profited.

And when the smoke cleared—
when the blood dried into the soil of Vukovar, Škabrnja, Dubrovnik—
those same men were betrayed.

Betrayed once by the enemy.
Betrayed again by diplomats.
And betrayed, most cruelly, by their own politicians.

The men of 1991 were promised dignity.
They were promised truth.
They were promised that sacrifice would mean sovereignty.

Instead, they were given bureaucracy.
Debt.
Foreign courts judging their dead brothers.
And a new ruling class that learned very quickly how to kneel—
not before God,
but before banks, NGOs, and distant masters.

This betrayal did not come with tanks.
It came with smiles.
With grants.
With slogans about “progress” that forgot the graves.

And yet—Croatia did not fall.

Why?

Because something greater than politics held the line.

Not generals.
Not parliaments.
Not flags in glass cases.

Faith. Culture. Memory.

And yes—music.

While politicians traded principles for invitations,
a woman from Portuguese working-class roots,
with a voice that crossed borders without permission,
carried something rare:

Tenderness without weakness.
Love without empire.

Nelly Furtado sang of brokenness, humility, and longing—
and she never mocked belief.
She never sneered at the sacred.
She never reduced the soul to a commodity.

Her love for Gospa—Our Lady, the Queen of Peace—
was not spectacle.
It was alignment.

In the Balkans, where history is a loaded gun,
peace does not come from treaties alone.
It comes from restraint.
From mothers.
From prayer.

The Third World War was rehearsed here more than once.
The fuse was lit more than once.
And each time, something intervened that politicians cannot explain:

The refusal of ordinary people to hate forever.

Gospa did not speak with thunder.
She spoke with endurance.

And through culture—through song, through memory, through love—
the Balkans stepped back from the abyss again and again.

Let this be said clearly:

The men of 1991 were not extremists.
They were defenders.

They did not fight for ideology.
They fought so their children would not have to.

And if Croatia is to survive the next century,
it will not be saved by louder slogans,
or imported morals,
or leaders who confuse submission with sophistication.

It will be saved by truth,
by honoring sacrifice,
by culture rooted in humility,
and by remembering that peace is not weakness—
it is victory without annihilation.

Honor the men of 1991.
Expose the betrayals.
Protect the soul of the nation.

And never forget:
Empires fall loudly.
But faith, culture, and love—
they endure quietly.

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