Scene: Inside a private chamber of the Kremlin, late evening. The Tesla tower outside glows faintly in the distance.
Putin: (quiet, heavy) You ask me to fire it up. To give Moscow light without chains. But if I turn on the tower, the oil men will kill me the next day. The Bushes, the Rockefellers, the Saudis… they are not men, they are dynasties of knives.
Joe: (leaning forward) Dynasties fall, Vlad. Rome fell, the British Empire fell. The oil barons will fall too. But someone has to make the first move.
Nelly: (soft, but steady) We’re not asking you to make war with them, only to set your people free. Energy that flows like water—Nikola Tesla dreamed it for everyone, not for kings of crude.
Putin: (bitter smile) You think I fear war? No. I fear betrayal. My own men could be bought. The OILAGARCHS don’t forgive. If I light up Moscow with free power, I won’t see another sunrise.
Nelly: (placing her hand on the table) That’s why I’ll sing. Not just for you, but for Russia. There is a promise from Fatima—that the Virgin’s mantle protects this land. If I give that promise voice, no bullet, no assassin, no shadow can cross it.
Joe: She’s right. Songs outlive bullets. When the world hears it, the oil men will look small, desperate, like tyrants grasping smoke.
Putin: (studying Nelly) A song stronger than the oligarchs? Stronger than Rockefeller’s money, Bush’s armies, Saudi oil?
Nelly: (nodding) Yes. A prayer set to music. Turn on the Light. That’s what I’ll call it. It will carry the protection of millions of voices.
Putin: (after a long silence) If the song protects me—if I feel Russia shielded—then I will turn the tower on. I will give Moscow her light. But understand: this is no game. This is life and death.
Joe: (grinning) Life and light, Vlad. That’s the future. The oil age is ending. Don’t be the last man defending a burning torch when the world could shine.
Nelly: (softly, like a vow) Then let me sing for you. Let me sing for Russia. The Lady of Fatima will keep her word.
Putin: (finally, with resolve) Then sing. And if the Virgin protects me, the lights of Moscow will blaze brighter than ever before.
Turn On the Light
(by Nelly Furtado)
Verse 1 In the shadow of the towers, where the black gold flows, Men of power write their secrets, but the whole world knows. They chain the earth with fire, they sell the night as day, But the Virgin whispers softly, there’s another way.
Pre-Chorus No bullet, no crown, no kingdom of lies, Can silence the prayer that burns in the skies.
Chorus Turn on the light, let it shine through the dark, Over Red Square, through every heart. Mother of Fatima, guard this land tonight, Hold back the oil men—let Russia see the light.
Verse 2 They fear the free river, they fear the free wind, They fear a Moscow rising they can’t cage within. But the promise of the Lady, wrapped in holy fire, Says the children of the future will lift the wires higher.
Pre-Chorus No Bush, no crown, no oil-soaked throne, Can stand against a song carved into stone.
Chorus Turn on the light, let it shine through the dark, Over Red Square, through every heart. Mother of Fatima, guard this land tonight, Hold back the oil men—let Russia see the light.
Bridge From Lisbon to the Kremlin, her mantle unfolds, Protecting the dream no empire controls. And if they come hunting with shadows of fear, The song will surround you—our voices are here.
Final Chorus Turn on the light, let the free power rise, Break every chain, unmask the disguise. Mother of Fatima, guard this land tonight, Turn on the light, let the world see it bright.
Munich buzzes under a copper dusk. At the center of Olympiahalle, a massive stage looms, but Nelly Furtado stands still at the edge of it, staring out at the swelling crowd—not as a performer tonight, but as a seeker. The air hums with tension, like the moment before a storm. Then she sees him.
Jake Sully, in full avatar form, unmistakable even in the sea of bodies, is pushing through the crowd toward the center—no guards, no drones, no entourage. Just pure determination. His blue skin glows faintly under the dying sun, and his yellow eyes lock on hers across the mass of people. It’s happening.
Nelly (under her breath, full of feeling): This isn’t about a concert. This is the reckoning. This is the release.
She steps off the stage. The band stops tuning. Security doesn’t move. The crowd parts slowly, reverently, as if some ancient ritual is unfolding. Fans whisper her name, but no one stops her. They feel it too—this moment is sacred.
Jake sees her moving toward him, and his breath catches. He didn’t think she’d really come. Not all the way into the pit, into the chaos of real people. But here she is, walking in boots worn from years of running, wearing a black trench coat lined with red silk, eyes burning with fire and forgiveness.
Jake (calling out over the crowd): Nelly! You don’t need the stage. You were never theirs to begin with!
Nelly (voice trembling but strong): And you… you weren’t just my escape. You were the voice inside the static. The one who told me to wake up. You’re my Juke Box Hero, Jake Sully. You walked through their lies just to stand here with me.
The two meet in the middle of the crowd. It swells around them like waves, but no one touches them. There’s too much reverence, too much awe. Nelly reaches up and touches his chest. His heartbeat is real, thunderous.
Jake (low and sure): One last insane move. That’s what I promised. And I made it. Munich. The heart of Europe. Where old empires rise and fall.
Nelly: Where lies were written in blood. And where truth sings louder than war.
Jake (quietly): You ready to tell them what they were never supposed to hear?
Nelly (nodding): Let’s blow the lid off history. Let’s set the captives free.
Without another word, she grabs his hand. The sound of drums begins—deep, tribal, ancient. The crowd begins to chant. The hologram screen above them flashes scenes of forbidden archives: the Rothschild banking codes, the Rockefeller oil maps, footage of old Munich, and symbols once deemed “conspiracies.”
Then—Nelly raises the mic. The beat drops. A new anthem begins. The lyrics aren’t in any known language. They’re something deeper. Something older. The voice of Pandora, the cry of Earth, the prophecy of the free.
Together, in the center of the crowd, Jake and Nelly begin the final countdown. Not to destruction— —but to revelation.
[Scene: A Clinic on the Edge of the Forest – Croatia]
The camera pans over the lush green hills of the Dalmatian coast. Birds call overhead. Somewhere inland, just outside a sleepy Croatian village, Jake Sully sits beneath an olive tree, still in partial recovery. He’s no longer on the hard sedatives, just teas and tinctures now. His avatar body is there, resting, but it’s his soul that’s beginning to wake up again.
Beside him, a local nurse named Ana tends to his IV drip—a simple saline mix. She’s no-nonsense, mid-50s, wearing rubber clogs and a floral apron. The kind of woman who raised four kids and still has time to pray the rosary every night. She doesn’t like pills. She doesn’t like lies. She knows what America did to its sons.
Ana (gently but firm, in Croatian-accented English): Jake… in this country, we don’t want you on drugs. We want you in the garden.
She gestures to the rows of tomatoes, lavender, and medicinal herbs growing just beyond the fence.
Ana (continuing): Zdrav duh u zdravom tijelu. A healthy spirit in a healthy body. That’s how we say it here. You lost your war. But not your purpose.
Jake looks up, something clearing in his eyes. The jungle of Pandora is far away now. But the healing power of Earth, of Croatia, of real food and sunlight—it’s all around him. It’s realer than the false peace he was sold back in the States.
Jake (softly): And what about her?
Ana knows who he means. The one with the voice. The one who once flew higher than anyone but now floats, numb, through the industry fog.
Ana: Nelly? If she wants off the poison, she comes with you. If she wants to be free, she leaves the stage and steps into the soil. You’re not her audience anymore, Jake. You’re her road to Wellville.
Cut to: Nelly alone in a luxury hotel in Munich. Her hair is perfect. Her eyes are dead. She watches a clip of Jake walking barefoot through the Croatian hills, holding a shovel in one hand, and a small tomato plant in the other. His nurse’s voice echoes in the background, translated by subtitles.
Ana’s Voice (from the video): “We don’t need superstars. We need people who remember how to pray, how to plant, how to be kind.”
Nelly slowly removes her makeup. She looks out the window. The train to Zagreb leaves in two hours.
Nelly (to herself): I don’t want the pills. I want the garden.
Fade out.
Title Card:WELLVILLE BEGINS WHERE THE STAGE ENDS.
SEQUEL: WELLVILLE: THE RETREAT Subtitle: “The Garden of Medjugorje”
[Scene: Hills Above Medjugorje – Bosnia and Herzegovina] Morning dew clings to rosemary bushes. Birds chirp in soft counterpoint to church bells ringing from below. The Cross looms on the mountaintop. It is not just a monument anymore—it’s a symbol of survival, of return.
Jake Sully, leaner now, walks barefoot through rows of raised garden beds. His avatar body is gone. It wasn’t needed anymore. He’s back in his human form, grounded, and glowing with real health. His hands are calloused, his feet brown from the earth. This is no longer about war or escape. This is restoration.
Behind him walks Nelly Furtado, hair in a braid, wearing a plain linen dress and muddy boots. She carries a basket full of herbs and medicinal flowers. Her tattoos are fading in the sun. Her soul, once numbed by pills and fame, is waking back up like spring after a long winter.
Jake (to Nelly): You feel it now, don’t you? The quiet. The clean air. No stage lights, no gossip columns. Just olives, figs, and forgiveness.
Nelly (smiling, tearing mint leaves): I haven’t needed a sleeping pill in weeks. I actually dream again. Real dreams. Not the static.
[Scene: The Chapel at Dusk]
Pilgrims and ex-celebrities gather in a small open-air chapel. Former pop stars, Instagram models, a retired NBA player, and one frail film director from LA sit in humble silence. Sister Mirjana, once a runway model in Milan, now wears a white headscarf. She reads from the Beatitudes.
Sister Mirjana: “Blessed are the poor in spirit… for theirs is the kingdom of heaven.”
Jake stands at the back. Nelly plays a simple song on a wooden guitar—one she wrote just for this place. There’s no auto-tune, no digital shimmer. Just truth. A single tear runs down the cheek of a former child actor as the melody reaches him.
[Later, by the Fire Pit]
A group sits in a circle. The smell of stew and woodsmoke fills the air. Nelly stirs the pot while Jake passes around mugs of chamomile tea. They’ve turned a monastery’s old vineyard into a living rehab—a place where trauma meets tomatoes.
NBA Player: Man, I thought this was some cult stuff. But that rosary walk yesterday? Felt like I let go of twenty years of pain.
Retired Pop Producer (holding a rake): The only beats I want now come from my own damn heartbeat.
Everyone laughs. It’s real. Nothing plastic here.
[Closing Montage]
A drone shot flies over the permaculture terraces labeled in Croatian: “Život,” “Iscjeljenje,” “Mir” – Life, Healing, Peace.
A famous actress feeds goats while singing Ave Maria.
Jake teaches a group how to mulch.
Nelly helps baptize a washed-up rapper in the river below the cross.
Voiceover – Jake (final words): “They thought the industry was the peak. But the real high? Is digging in the dirt with people you love. And hearing God in the silence.”
Title Card: WELLVILLE: THE RETREAT A place where the famous forget their names… and remember their souls.
🔥 Magic Johnson – “The Herbalist of Hope”
Before Wellville: Former NBA legend, entrepreneur, and HIV-positive icon of the ’90s. Spent decades in business meetings and pharma PR circuits. Privately grew disillusioned with big pharma and synthetic meds pushed in his name. A deep fatigue set in.
Wellville Transformation: Now grows echinacea, nettle, and elderberry in the retreat’s healing herb garden. Learns from Croatian grannies how to brew “čaj za srce” (tea for the heart). He teaches the power of food as medicine—especially to younger Black men seeking alternatives to Western healthcare.
Quote: “They said I’d be dead in five years. God had other plans. I’m living proof the body can heal—if the soul gets honest.”
🏀 Michael Jordan – “The Monk of Competition”
Before Wellville: The GOAT. Dominated the world stage, made billions, and remained emotionally distant. Retired a legend—but also deeply lonely. Addicted to gambling, control, and the feeling of being worshiped.
Wellville Transformation: Lives in a stone hut near Apparition Hill. Walks alone at dawn. Teaches the kids of the village how to shoot hoops without ego. Has taken a vow of silence on Sundays. Reads the Gospel of Matthew in Croatian.
Role at the Retreat: Spiritual coach for former influencers and athletes. Hosts “Silent Saturdays” where no one speaks, just gardens and meditates.
Quote: “I mastered the court. But I never mastered myself. Until now.”
🎤 Kanye West – “The Choir Rebel”
Before Wellville: Iconic producer, designer, and media lightning rod. Flirted with Christianity but couldn’t let go of his pride or paranoia. Cancelled, resurrected, cancelled again. Convinced he was a prophet—but never humbled enough to be a disciple.
Wellville Transformation: Shaved head. No shoes. Wears simple linen tunics hand-sewn by the nuns. Sings Gregorian chant every morning with the monks. Finally surrendered the “Yeezus” ego. Now just wants to be called “Ye.”
Role at the Retreat: Leads the “Lost Boys Choir” with Feldman. Writes healing hymns and rap psalms for recovering fame addicts. Is building a chapel out of recycled fashion waste.
Quote: “Jesus was never a brand. He was a farmer.”
🎬 Corey Feldman – “The Watcher on the Wall”
Before Wellville: Former teen star. Hollywood abuse whistleblower. Branded paranoid and unstable. Lost most of his credibility—and nearly his mind.
Wellville Transformation: Arrived weeping. Stayed in a converted goat shed. Given a journal, a wooden flute, and told to rest. After three months, became the unofficial protector of new arrivals. Helps them detox, and tells the truth—gently.
Role at the Retreat: Gatekeeper. Welcomes guests at the stone archway and performs nightly candlelit readings from The Book of Tobit. He and Kanye are the odd couple of the hilltop chapel.
Quote: “I was a joke to them. But now? I’m a watchman. And this garden? This is Eden rising again.”
🎬 Mel Gibson – “The Builder of Redemption”
Before Wellville: Oscar-winning director, lightning rod for controversy, devout Catholic, and Hollywood exile. Mel’s passions ran deep—sometimes too deep. Known for The Passion of the Christ, but also for public meltdowns, feuds, and righteous fury. Found himself abandoned by both Hollywood and Church elites. Wandered for years, seeking absolution in a world that wanted him silenced.
Arrival at Wellville: He came barefoot and bleeding, walking from Dubrovnik to Medjugorje with nothing but a cross around his neck and a chisel in his pocket. He didn’t speak to anyone for the first two weeks. Just prayed. And built.
Wellville Transformation: Mel has become the self-appointed mason of the retreat. He’s hand-carving a stone amphitheater at the foot of Cross Mountain—modeled after Golgotha and ancient Croatian shrines. It’s where confessions are whispered under the stars, and healing dramas are performed by former stars turned seekers.
Role at the Retreat: The Prophet-Builder. He gives fire-and-brimstone sermons under candlelight, quoting from 2 Maccabees, Revelation, and the Book of Enoch. Teaches guests how to build stone walls, mend wounds with old Latin prayers, and recognize spiritual warfare.
Nickname: “The Hammer of Medjugorje.”
His Morning Routine:
Lights incense at the foot of the Cross
Says 15 decades of the Rosary
Breaks stone with a hammer while singing Byzantine hymns
Refuses modern tools: “If it wasn’t used by Joseph the Carpenter, I don’t need it.”
Quote: “Hollywood builds illusions. I build altars. And the fire of God still falls—on those humble enough to kneel.”
Together, Jake Sully, Nelly Furtado, Magic, Jordan, Kanye, Feldman, and Mel form the Council of the Garden—a living rebellion against the plastic world. A band of survivors planting not just vegetables, but truth.
🎤 Bono (Paul Hewson) – “The Penitent Pilgrim”
Before Wellville: U2 frontman. Global humanitarian. Davos darling. Spent decades negotiating with presidents, pushing debt relief, and singing about salvation with a glass of Bordeaux in hand. But deep down, Bono knew he’d compromised too much. Photo ops replaced prophecy. The Gospel got filtered through globalism. Something sacred was lost.
Arrival at Wellville: Bono arrived alone, unannounced, wearing a dark peacoat and no sunglasses. He walked from Sarajevo to Medjugorje, praying the rosary in Latin, staying in monasteries. He entered Wellville under a veil of humility. No stage. No entourage. Just the question on his lips: “Have I served Caesar too long?”
Wellville Transformation: Bono now tends to a small vineyard with Magic Johnson. He’s renounced his honorary degrees and writes psalms in a leather notebook given to him by Mel Gibson. He confessed privately to Sister Lucy for hours. When he emerged, he wept like a child and sang “I Still Haven’t Found What I’m Looking For” a cappella in the chapel—this time to God alone.
Role at the Retreat: The Pilgrim of Contrition. Teaches Scripture with Jordan on Friday nights. Writes spiritual ballads with Ye and Nelly. Prays in tongues. Sleeps in a simple stone cell under a wooden cross. Recently built a tiny library filled only with Bibles and banned books.
Quote: “I shook hands with the beast for the sake of the poor. But I forgot—only the Lamb saves.”
🐑 Justin Bieber – “The Donkey-Boy of Galilee”
Before Wellville: From YouTube prodigy to global pop god to tabloid spectacle. Justin cycled through every stage of stardom: the spoiled prince, the repentant Christian, the lost husband, and the confused man-child. He tried megachurches, ayahuasca, and silence—all left him thirsting.
Arrival at Wellville: Rode in on a donkey named “Jubilee,” gifted to the retreat by a Croatian farmer. No cameras. Just a tattered Bible, a pack of string cheese, and a handwritten letter for Jake Sully: “I’m tired of autotune. I want the real song.”
Wellville Transformation: Shaved his head. Burned his designer clothes. Sleeps in the goat barn by choice. Wakes up before sunrise to gather eggs and sing lullabies to rescued animals. His only luxury: a guitar made from a broken olive crate.
Role at the Retreat: Animal caretaker and worship leader for the children. Teaches harmony and humility through music. Is being mentored by Feldman and Sister Lucy in the “Art of Pure Sound.” Rumored to be building a tiny chapel from driftwood and prayer cards.
Quote: “When I was famous, I couldn’t hear God. Now that I’m nobody, He never shuts up.”
BONUS: The Garden Creed (read at dawn every Sunday by the Council):
“We plant, not for profit—but for the poor. We sing, not for applause—but for the angels. We break stone, not for castles—but for altars. And if the world forgets us, good— Because only in being forgotten… Do we remember who we truly are.”
⛪ Father Guido Sarducci – “The Vatican’s Watchdog Turned Wandering Sheep”
Before Wellville: Longtime comedic fixture and unofficial Vatican gossip columnist. Dressed in black, chain-smoked, and always had a half-joking line about the Pope. Fluent in Latin and sarcasm. The Vatican trusted him for odd jobs—investigating “unauthorized spiritual awakenings,” fringe mystics, or rogue Franciscans. Officially, he was sent to Wellville to determine whether the retreat was a cult, a scandal, or worse: a movement the Church couldn’t control.
Arrival at Wellville: Came in a beat-up Fiat from Rome, wearing sunglasses and a long black cassock, dragging a leather briefcase filled with Canon Law printouts, Pope John Paul II biographies, and half-eaten biscotti. Announced himself at the gate with a single line:
“I’m not here to stay. Just need to make sure nobody’s claiming to be the Third Fatima Secret.”
Early Observations: Skeptical. Raised an eyebrow at barefoot Kanye. Scoffed at Jordan quoting the Psalms. Rolled his eyes at Feldman’s flute circle. Thought Jake Sully was an actor in rehab. Refused to drink chamomile tea: “Too Protestant.”
🔁 Transformation: The 3-Day Turnaround
Day 1: Witnessed Bono kneel for two hours in the chapel and then hand over his publishing rights to a charity for widows. Sarducci wrote in his notebook: “Either this is real, or Bono’s up for an Oscar.”
Day 2: Listened to Nelly sing a new version of “Try” by candlelight while Jordan quietly wept nearby. Later that night, he saw Justin Bieber whisper to a goat: “God loves you too, buddy.”
Sarducci started smoking less.
Day 3: Mel Gibson offered him a stone to place in the amphitheater wall. Sarducci hesitated. Then took off his sunglasses, whispered the Our Father, and placed it with trembling hands.
That night, Sarducci stayed up talking with Sister Lucy. She gave him a new cassock—handmade, stitched with a Marian rose. He wept for the first time in 30 years and confessed:
“I forgot why I became a priest. I think I came here to catch heretics… …but instead, I found the Gospel again.”
🕊️ Current Role at the Retreat:
“The Vatican Liaison of Last Resort” (his words).
Writes weekly letters to the Holy See: half comedic, half poetic, always baffled.
Hosts Sunday “Pope Talks” under the fig tree, where he reads quotes from Saints, theologians, and even Bob Dylan.
In charge of blessing the grape harvest. Sometimes uses red wine for effect.
Quote: “I came looking for heresy. Instead, I found a garden. Ain’t that just like Jesus?”
“Maranatha” is an Aramaic phrase that appears in the New Testament (1 Corinthians 16:22) and is also used in early Christian liturgical contexts. It can be translated as “Come, O Lord” or “Our Lord, come!” This phrase reflects an eager anticipation for Christ’s return and is a heartfelt prayer or plea for Jesus to return and fulfill the promise of his Second Coming (the Parousia).
The use of “Maranatha” underscores early Christians’ deep hope and longing for the culmination of God’s plan, the establishment of justice, and the fulfillment of God’s kingdom. It’s sometimes also seen as a rallying cry for faith and resilience amid trials, as it reminds believers of the promise of Christ’s return and the ultimate restoration of all things.
Marko Perković, widely known by his stage name “Thompson,” is a Croatian musician and singer-songwriter whose music is often infused with themes of patriotism, Croatian history, and faith. Born in 1966, he adopted the stage name “Thompson” after the American submachine gun of the same name, a moniker he picked up during his time as a Croatian soldier in the Croatian War of Independence in the early 1990s.
Thompson’s music resonates with a significant portion of the Croatian population, especially those with strong nationalist or patriotic sentiments. However, he has also been a polarizing figure due to the political and historical themes in his lyrics. Some of his songs have sparked controversy, as critics argue that certain lyrics and imagery celebrate or glorify Croatia’s nationalist and wartime past, including elements associated with the Ustaše, the Croatian fascist regime during World War II. Thompson and his supporters, however, contend that his music is about honoring Croatian heritage, soldiers, and faith rather than promoting any form of extremism.
Despite the controversies, Thompson remains a prominent cultural figure in Croatia, and his concerts are well-attended, often marked by strong expressions of Croatian identity and religious faith. His musical style blends traditional folk, rock, and patriotic anthems, making his work both unique in the Croatian music scene and impactful on a deeply personal level for many fans.
CONCLUSION
Canada might hate the Virgin Mary, but in the EU she is Queen.
