โMaranathaโ is an Aramaic phrase that appears in the New Testament (1 Corinthians 16:22) and is also used in early Christian liturgical contexts. It can be translated as โCome, O Lordโ or โOur Lord, come!โ This phrase reflects an eager anticipation for Christโs return and is a heartfelt prayer or plea for Jesus to return and fulfill the promise of his Second Coming (the Parousia).
The use of โMaranathaโ underscores early Christiansโ deep hope and longing for the culmination of Godโs plan, the establishment of justice, and the fulfillment of Godโs kingdom. Itโs sometimes also seen as a rallying cry for faith and resilience amid trials, as it reminds believers of the promise of Christโs return and the ultimate restoration of all things.
Marko Perkoviฤ, widely known by his stage name โThompson,โ is a Croatian musician and singer-songwriter whose music is often infused with themes of patriotism, Croatian history, and faith. Born in 1966, he adopted the stage name โThompsonโ after the American submachine gun of the same name, a moniker he picked up during his time as a Croatian soldier in the Croatian War of Independence in the early 1990s.
Thompsonโs music resonates with a significant portion of the Croatian population, especially those with strong nationalist or patriotic sentiments. However, he has also been a polarizing figure due to the political and historical themes in his lyrics. Some of his songs have sparked controversy, as critics argue that certain lyrics and imagery celebrate or glorify Croatiaโs nationalist and wartime past, including elements associated with the Ustaลกe, the Croatian fascist regime during World War II. Thompson and his supporters, however, contend that his music is about honoring Croatian heritage, soldiers, and faith rather than promoting any form of extremism.
Despite the controversies, Thompson remains a prominent cultural figure in Croatia, and his concerts are well-attended, often marked by strong expressions of Croatian identity and religious faith. His musical style blends traditional folk, rock, and patriotic anthems, making his work both unique in the Croatian music scene and impactful on a deeply personal level for many fans.
CONCLUSION
Canada might hate the Virgin Mary, but in the EU she is Queen.