Category: Creative Writing

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Creative Writing Trilogy Treatment: 62, 63 & 64

Movie Treatment: “The Hidden Hand”

Written by: Nelly Furtado

Genre: Political Thriller / Mystery

Logline: In the wake of President John F. Kennedy’s assassination in 1963, a secret investigation reveals the hidden forces that orchestrated the murder. Using Psalm 62:5 and Psalm 64 as metaphors, the film explores how the Masons and shadow elites conspired to remove a president who threatened their grip on power, with the Warren Commission’s investigation covering up the truth.

ACT 1:

The film opens in the early 1960s, with President John F. Kennedy in the midst of his presidency. JFK is portrayed as a charismatic leader, beloved by many, but increasingly at odds with powerful factions within the U.S. government, the military-industrial complex, and secret societies like the Freemasons. Kennedy’s progressive policies, his push for peace during the Cold War, and his desire to end the Vietnam War make him a target for those who stand to profit from war and secrecy.

The film introduces key players, including Lee Harvey Oswald, a man with a mysterious past, and key figures within the CIA and FBI who are quietly working to discredit and undermine Kennedy. JFK’s growing awareness of the threats against him is juxtaposed with his deepening commitment to transparency and justice, much to the dismay of the powers that be.

In a series of private moments, JFK begins to reflect on his own vulnerability, quoting Psalm 62:5: “For God alone, O my soul, wait in silence, for my hope is from him.” This psalm becomes a metaphor for Kennedy’s internal struggle: his belief in doing what is right versus the dangerous forces conspiring against him.

ACT 2:

November 22, 1963, the day of the assassination, is depicted with a sense of foreboding. JFK’s motorcade winds through Dealey Plaza in Dallas, Texas. The camera lingers on the faces of the crowd, as well as on key figures in the shadows—men who are orchestrating events from behind the scenes. The film does not focus on the mechanics of the assassination itself but rather on the unseen hands pulling the strings.

As Kennedy is shot, the film cuts to the chaos that follows. The assassination is quickly labeled as the work of a “lone gunman,” Lee Harvey Oswald. However, the film shows the immediate doubts surrounding the official story. Witnesses are intimidated, and evidence is altered. The Warren Commission, led by Chief Justice Earl Warren, quickly concludes that Oswald acted alone, but the public remains skeptical.

The film uses Psalm 64 as a key metaphor to illustrate the conspiracy behind the assassination: “Hear my voice, O God, in my complaint; preserve my life from the dread of the enemy. Hide me from the secret plots of the wicked, from the throng of evildoers, who whet their tongues like swords, who aim bitter words like arrows.” This psalm speaks to the hidden forces behind the assassination, the shadowy figures who planned the event in secret.

The “magic bullet” theory, which suggests that one bullet caused multiple wounds to both Kennedy and Texas Governor John Connally, is portrayed as a symbol of the absurdity of the official narrative. The film suggests that the magic bullet is a metaphor for the manipulation of truth, where the facts are twisted to serve the needs of those in power.

ACT 3:

In the aftermath of the assassination, the film delves into the investigation and the efforts to suppress the truth. The public is fed a steady diet of lies, and the true story of what happened in Dealey Plaza is buried beneath layers of government cover-ups and media manipulation.

The film introduces a group of whistleblowers, journalists, and former government insiders who begin to piece together the puzzle. They uncover evidence of a conspiracy involving powerful elites, secret societies, and shadowy figures within the U.S. government who feared Kennedy’s reforms and his stance against the military-industrial complex. The group’s investigation is framed by the idea of Psalm 62:5, with the truth lying hidden beneath the surface, waiting to be revealed.

The final act culminates in a dramatic revelation: the assassination was not the work of a lone gunman but a carefully orchestrated ambush. The film suggests that Kennedy was targeted because of his threat to the established order, and that his murder was part of a larger plan to maintain the status quo. The film ends with the haunting image of a world forever changed by the loss of a president who dared to challenge the system.

Themes:

  • The Hidden Hand of Power: The film explores the idea that the assassination of JFK was not a random act of violence but a deliberate and orchestrated event by powerful forces who feared his leadership. The Masons and other secret societies are depicted as key players in this conspiracy, manipulating events from the shadows.
  • The Struggle for Truth: The film highlights the difficulty of uncovering the truth in a world where powerful institutions work to suppress it. The Warren Commission’s investigation is shown as a whitewash, designed to protect those responsible for the assassination.
  • Divine Providence and Vulnerability: JFK’s reliance on Psalm 62:5 symbolizes his faith in a higher power, even as he faces overwhelming odds. The film contrasts this with the forces conspiring against him, suggesting that while Kennedy may have trusted in God’s plan, his enemies were working with their own designs.
  • The Magic Bullet as a Metaphor: The “magic bullet” theory is used as a symbol of the manipulation of truth. The film suggests that the official narrative of the assassination is as absurd as the idea of a single bullet causing multiple wounds, and that this is part of a larger effort to distort reality.
  • Psalm 64 and the Hidden Conspiracy: The film uses Psalm 64 to frame the assassination as a secret plot by powerful elites who aim to protect their interests. The psalm speaks of the hidden dangers posed by those who work in the shadows, much like the figures behind the assassination.

Final Notes:

Nelly Furtado’s treatment for “The Hidden Hand” is a political thriller that blends historical events with metaphysical themes. By using the Psalms as a framework, the film explores the idea that the assassination of JFK was not just a tragic event but part of a larger conspiracy orchestrated by those who feared his vision for a more just and transparent world. The film raises questions about the nature of power, truth, and the forces that shape history, offering a compelling look at one of the most controversial moments in American history.

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Creating Writing Treatment 33

Movie Treatment: “The Prophetic Pawn”

Written by: Nelly Furtado and Joe Jukic

Genre: Historical Drama / Psychological Thriller

Logline: The rise and fall of Adolf Hitler is explored through the lens of his relationship with the enigmatic astrologer and occultist, Erik Jan Hanussen. Using mystical teachings and Masonic psalms, Hanussen convinces Hitler that God is on his side and that victory in World War II is certain. But as the war turns, the truth of their fate becomes clear: Hitler was never the master of his own destiny, but a pawn in a much larger game.

ACT 1:

The film opens in 1930s Germany, during the early rise of Adolf Hitler’s Nazi Party. Hitler, struggling with his own internal demons and the failure of his earlier political endeavors, is introduced to Erik Jan Hanussen, a mysterious and charismatic astrologer, occultist, and performer. Hanussen is portrayed as a man who uses his knowledge of the stars, astrology, and the occult to manipulate and influence the powerful figures of the time.

Hanussen, believing in the power of the divine and the mystical, uses his knowledge of Masonic teachings to convince Hitler that he is destined for greatness. He introduces Hitler to Psalm 33:16, a verse that speaks of God’s protection over kings and armies, and assures him that his victory in World War II is inevitable. Hanussen convinces Hitler that his army is divinely chosen, and that the war will end in a great triumph for the Third Reich.

The first act explores the complex relationship between Hitler and Hanussen, with the astrologer playing a pivotal role in shaping Hitler’s belief in his own invincibility. Hanussen’s influence over Hitler is shown to be a blend of psychological manipulation, occult knowledge, and the power of suggestion. Hitler, in turn, becomes more obsessed with the idea of divine favor and the belief that he is fulfilling a grand destiny.

ACT 2:

As World War II escalates, the film shifts to key moments in the conflict, including the Battle of Stalingrad and the invasion of Normandy. Despite initial successes, the tide of the war begins to turn against Germany. Hanussen continues to provide Hitler with mystical guidance, using Masonic psalms and astrological charts to reassure him that victory is still within reach. One of the key moments in this act is the use of Psalm 45, which speaks of a king’s wedding and triumph. Hanussen tells Hitler that this psalm symbolizes his upcoming “victorious wedding”—the ultimate union of his power and destiny.

However, as the war drags on and Germany suffers more defeats, the cracks in Hitler’s belief system begin to show. Hanussen, who had once been a confidant and advisor, becomes more distant, sensing that the tide is turning against Hitler. The astrologer’s influence wanes, and Hitler becomes increasingly paranoid and desperate. The film explores the psychological toll that the war takes on Hitler, as well as the growing disillusionment with the idea of divine favor.

ACT 3:

The final act of the film focuses on the collapse of the Nazi regime and the fall of Berlin. Hitler, now holed up in his bunker with Eva Braun, faces the reality of his impending defeat. The grand wedding he had envisioned—his moment of ultimate victory—turns into a tragic and symbolic suicide. The once-proud Führer, who had believed that God was on his side, is now a broken man, trapped in a bunker with no way out.

In a haunting scene, Hitler reflects on the promises made to him by Hanussen. He realizes that he has been played like a pawn in a larger, cosmic game—his belief in his own divine destiny was nothing more than a delusion. The wedding he had imagined, a symbol of his triumph, becomes a grotesque mockery of his failed ambitions.

As the film reaches its climax, the parallels between Hitler’s fate and the chessboard become clear. Hanussen, who had once been the master manipulator, is shown to be a pawn in the hands of greater forces. The film ends with Hitler’s death, a tragic end to a man who had believed in his own divine mission, only to be undone by the very forces he had tried to control.

Themes:

  • The Power of Belief and Manipulation: The film explores how belief in divine favor and destiny can be manipulated for personal gain. Hanussen’s influence over Hitler shows how people can be convinced of their own invincibility, even when faced with undeniable evidence to the contrary.
  • Fate vs. Free Will: Hitler’s belief that he was chosen by God for greatness is contrasted with the reality that he was ultimately a pawn in a much larger game. The film raises questions about the nature of destiny and whether anyone can truly control their fate.
  • The Role of Prophecy and Mysticism in History: The film delves into the use of astrology, Masonic psalms, and other occult practices to shape historical events. Hanussen’s manipulation of Hitler’s beliefs is portrayed as a dangerous and destructive force that ultimately contributes to the downfall of the Third Reich.
  • The Illusion of Power: Hitler’s journey from a man of ambition and confidence to a broken and defeated leader reflects the illusory nature of power. The film suggests that those who believe they are in control of their own destiny may be the most vulnerable to manipulation and downfall.
  • Psalm 33:16 and Psalm 45: The film uses these psalms as key symbols in Hitler’s journey. Psalm 33:16, which speaks of God’s protection over armies, is initially used to justify Hitler’s belief in his own invincibility. Psalm 45, which speaks of a king’s wedding and triumph, is used by Hanussen to symbolize Hitler’s supposed victory, but ultimately serves as a tragic foreshadowing of his demise.

Final Notes:

Nelly Furtado and Joe Jukic’s treatment for “The Prophetic Pawn” is a psychological thriller that explores the dangerous intersection of belief, power, and manipulation. By focusing on the relationship between Hitler and Hanussen, the film offers a unique perspective on the psychological forces that shaped the course of history. The themes of fate, free will, and the illusion of power resonate with contemporary questions about the nature of leadership and the dangers of unchecked belief in one’s own destiny.

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Creative Writing Treatment 17

Movie Treatment: “The Prophets of Fatima”

Written by: Nelly Furtado and Joe Jukic

Genre: Historical Drama / Mystery / Thriller

Logline: In 1917, three shepherd children in Fatima, Portugal, experience divine visions that foretell the future, but their revelations are met with skepticism, persecution, and betrayal. As they struggle against the forces of the occult and the Illuminati, the children face a tragic fate, with the shadows of the Spanish Flu and political intrigue looming over their every move. Their story, filled with divine prophecy, dark conspiracies, and ultimate sacrifice, unfolds through the lens of Psalm 17—”A Prayer Against Persecutors.”

ACT 1:

The film opens in the quiet village of Fatima, Portugal, where three young shepherd children—Lucia dos Santos, Jacinta Marto, and Francisco Marto—experience a series of mystical visions of the Virgin Mary. The children, naive and innocent, begin to speak of these apparitions to their families and the local clergy. However, their revelations are met with skepticism and disbelief. The Catholic Church, wary of the implications of such powerful visions, is slow to embrace the children’s message, while local authorities begin to grow increasingly suspicious of their claims.

The year is 1917, and Europe is embroiled in the chaos of World War I. The Spanish Flu is sweeping across the globe, claiming millions of lives, and political upheaval is brewing. The Balfour Declaration is signed, signaling the beginning of the Zionist movement’s influence in the Middle East. Meanwhile, the Rothschilds and other elite figures begin to assert their power over global affairs, and the Illuminati’s influence grows in the shadows.

The children’s visions continue, with the Virgin Mary urging them to spread a message of peace and repentance. She warns of future wars and the rise of a “great persecution” against the faithful. The children are told that they will suffer for their message, and Jacinta and Francisco, in particular, are marked by a divine purpose that will lead to their ultimate sacrifice.

ACT 2:

The children’s message begins to attract attention, both positive and negative. As their fame grows, so does the scrutiny from both religious authorities and political figures. The Illuminati, seeing the potential for the children’s revelations to disrupt their plans for global control, begin to take action. They see the children as a threat to their vision of a world dominated by wealth, power, and secrecy.

Jacinta and Francisco are taken to Rockefeller-run occult hospitals, under the guise of receiving medical care for the Spanish Flu. In reality, they are subjected to cruel, experimental treatments designed to weaken their resolve and silence their message. Their suffering is exacerbated by the harsh conditions of the hospitals, where they are treated like mere pawns in a larger game. The children’s health deteriorates, and their visions become more intense, as they experience the full weight of their divine mission.

Meanwhile, Lucia, the eldest of the three, is left to bear the burden of their message. She faces intense pressure from both the Church and the government to recant her claims, but she remains steadfast in her belief. The tension between Lucia and the authorities grows, as they attempt to manipulate her into silence.

The film explores the tension between faith and politics, as the children’s divine revelations threaten the established order. The Illuminati, working behind the scenes, orchestrate a plan to eliminate Francisco, whom they believe is destined to become either a messiah or a pope. His death, they believe, will prevent the fulfillment of the prophecy and ensure their control over the future.

ACT 3:

The climax of the film occurs as Jacinta and Francisco’s health rapidly declines, and they are eventually claimed by the very disease that ravaged the world. The children’s deaths are portrayed as tragic yet inevitable, the result of a combination of iatrogenic factors—their mistreatment in the occult hospitals and the deadly Spanish Flu. Their passing is a moment of profound sorrow, but also of triumph, as their message of peace and repentance lives on through Lucia.

Lucia, now an adult, continues to spread the message of Fatima, but she is constantly pursued by those who wish to silence her. The Illuminati’s grip on the world grows stronger, but Lucia remains defiant, knowing that the truth will eventually prevail. The film ends with a haunting final scene, in which Lucia looks up at the sky, knowing that the prophecy of Fatima is still unfolding.

The closing shot lingers on the three children, now canonized as saints, their legacy immortalized in the hearts of the faithful. The message of Fatima—of peace, repentance, and the struggle against persecution—echoes through the ages, a testament to the power of divine truth in a world dominated by darkness and deceit.

Themes:

  • Persecution and Sacrifice: The children’s story is one of unwavering faith in the face of persecution. Their willingness to suffer for their beliefs is contrasted with the greed and manipulation of the political and religious elites who seek to control them.
  • Divine Prophecy vs. Human Power: The film explores the tension between the divine revelations given to the children and the political and financial forces that seek to suppress them. The Illuminati, representing the forces of greed and control, work to eliminate the children’s message, but the divine truth endures.
  • The Spanish Flu and Iatrogenic Deaths: The film highlights the devastating impact of the Spanish Flu and the mistreatment of the children in the Rockefeller-run occult hospitals. Their deaths are portrayed as a tragic result of human greed and indifference to suffering.
  • Psalm 17 – Prayer Against Persecutors: The film draws heavily on Psalm 17, which speaks of divine protection against persecutors. The children’s journey is framed as a metaphor for this prayer, as they struggle against those who seek to silence them. The message of the psalm—that God will deliver the righteous from their enemies—is echoed throughout the story.
  • The Number 13 and the Illuminati: The children’s connection to the number 13, which is often associated with the Illuminati, serves as a symbol of their divine mission and the forces working against them. The film suggests that the children were marked by destiny to challenge the Illuminati’s grip on the world.

Final Notes:

Nelly Furtado and Joe Jukic’s treatment for “The Prophets of Fatima” blends historical drama with mystery and thriller elements, creating a powerful narrative about the clash between divine revelation and human power. The film’s themes of persecution, sacrifice, and the struggle for truth resonate with contemporary issues of control, corruption, and the fight for spiritual freedom. Through the lens of the three children’s story, the film explores the timeless battle between good and evil, and the enduring power of faith in the face of overwhelming adversity.

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