Scene: “The Apollo Frequencies”
In a dimly lit studio filled with glowing plasma coils and soft blue Tesla arcs, Joe and Nelly sit cross-legged on the floor. A med bed hums quietly beside them — retro, metallic, with glowing energy rings that pulse in rhythm with Kanye West’s “I Am a God.”
The song fills the room with its strange power. The bass vibrates like the heartbeat of the cosmos.
Joe: (looking at the med bed) You know, Nelly… Kanye’s not far off. The ancients thought being “a god” meant healing — not ruling. Apollo wasn’t just the god of light and prophecy; he was the god of medicine. The Greeks built temples where sound — not scalpels — cured disease.
Nelly: (smiling softly) Apollo… like NASA’s Apollo. They called that program after the god of light too. Maybe they knew — going to the Moon wasn’t just about rockets, it was about healing the human spirit. After the wars, the assassinations… after Kennedy.
Joe: Yeah. Kennedy said, “We choose to go to the Moon.” But what if he was really saying, “We choose to ascend.” To evolve. The Apollo program was humanity’s therapy session with the stars.
Nelly: (runs her hand over the med bed’s glowing frame) And now we’re building his temple again — with circuits instead of marble. Tesla frequencies instead of chants. Maybe this is Apollo reborn through technology.
Joe: (nods) Tesla said everything is vibration. Maybe one day, med beds will hum the same frequency as divine light. They’ll tune our cells like instruments — each atom a note in Apollo’s song.
Nelly: So when Kanye says, “I am a God,” he’s not being arrogant. He’s reminding us what the ancients already knew — that we can align with the divine. That healing isn’t just a miracle… it’s our birthright.
Joe: (leans back, eyes half-closed) The future Apollo mission won’t go to the Moon. It’ll go within.
The song fades out. The med bed emits a final shimmer of violet light — and for a moment, both of them feel it: a vibration not from the machine, but from somewhere far older and far deeper.