Creative Writing Treatment 17

Movie Treatment: “The Prophets of Fatima”

Written by: Nelly Furtado and Joe Jukic

Genre: Historical Drama / Mystery / Thriller

Logline: In 1917, three shepherd children in Fatima, Portugal, experience divine visions that foretell the future, but their revelations are met with skepticism, persecution, and betrayal. As they struggle against the forces of the occult and the Illuminati, the children face a tragic fate, with the shadows of the Spanish Flu and political intrigue looming over their every move. Their story, filled with divine prophecy, dark conspiracies, and ultimate sacrifice, unfolds through the lens of Psalm 17—”A Prayer Against Persecutors.”


ACT 1:

The film opens in the quiet village of Fatima, Portugal, where three young shepherd children—Lucia dos Santos, Jacinta Marto, and Francisco Marto—experience a series of mystical visions of the Virgin Mary. The children, naive and innocent, begin to speak of these apparitions to their families and the local clergy. However, their revelations are met with skepticism and disbelief. The Catholic Church, wary of the implications of such powerful visions, is slow to embrace the children’s message, while local authorities begin to grow increasingly suspicious of their claims.

The year is 1917, and Europe is embroiled in the chaos of World War I. The Spanish Flu is sweeping across the globe, claiming millions of lives, and political upheaval is brewing. The Balfour Declaration is signed, signaling the beginning of the Zionist movement’s influence in the Middle East. Meanwhile, the Rothschilds and other elite figures begin to assert their power over global affairs, and the Illuminati’s influence grows in the shadows.

The children’s visions continue, with the Virgin Mary urging them to spread a message of peace and repentance. She warns of future wars and the rise of a “great persecution” against the faithful. The children are told that they will suffer for their message, and Jacinta and Francisco, in particular, are marked by a divine purpose that will lead to their ultimate sacrifice.

ACT 2:

The children’s message begins to attract attention, both positive and negative. As their fame grows, so does the scrutiny from both religious authorities and political figures. The Illuminati, seeing the potential for the children’s revelations to disrupt their plans for global control, begin to take action. They see the children as a threat to their vision of a world dominated by wealth, power, and secrecy.

Jacinta and Francisco are taken to Rockefeller-run occult hospitals, under the guise of receiving medical care for the Spanish Flu. In reality, they are subjected to cruel, experimental treatments designed to weaken their resolve and silence their message. Their suffering is exacerbated by the harsh conditions of the hospitals, where they are treated like mere pawns in a larger game. The children’s health deteriorates, and their visions become more intense, as they experience the full weight of their divine mission.

Meanwhile, Lucia, the eldest of the three, is left to bear the burden of their message. She faces intense pressure from both the Church and the government to recant her claims, but she remains steadfast in her belief. The tension between Lucia and the authorities grows, as they attempt to manipulate her into silence.

The film explores the tension between faith and politics, as the children’s divine revelations threaten the established order. The Illuminati, working behind the scenes, orchestrate a plan to eliminate Francisco, whom they believe is destined to become either a messiah or a pope. His death, they believe, will prevent the fulfillment of the prophecy and ensure their control over the future.

ACT 3:

The climax of the film occurs as Jacinta and Francisco’s health rapidly declines, and they are eventually claimed by the very disease that ravaged the world. The children’s deaths are portrayed as tragic yet inevitable, the result of a combination of iatrogenic factors—their mistreatment in the occult hospitals and the deadly Spanish Flu. Their passing is a moment of profound sorrow, but also of triumph, as their message of peace and repentance lives on through Lucia.

Lucia, now an adult, continues to spread the message of Fatima, but she is constantly pursued by those who wish to silence her. The Illuminati’s grip on the world grows stronger, but Lucia remains defiant, knowing that the truth will eventually prevail. The film ends with a haunting final scene, in which Lucia looks up at the sky, knowing that the prophecy of Fatima is still unfolding.

The closing shot lingers on the three children, now canonized as saints, their legacy immortalized in the hearts of the faithful. The message of Fatima—of peace, repentance, and the struggle against persecution—echoes through the ages, a testament to the power of divine truth in a world dominated by darkness and deceit.


Themes:

  • Persecution and Sacrifice: The children’s story is one of unwavering faith in the face of persecution. Their willingness to suffer for their beliefs is contrasted with the greed and manipulation of the political and religious elites who seek to control them.
  • Divine Prophecy vs. Human Power: The film explores the tension between the divine revelations given to the children and the political and financial forces that seek to suppress them. The Illuminati, representing the forces of greed and control, work to eliminate the children’s message, but the divine truth endures.
  • The Spanish Flu and Iatrogenic Deaths: The film highlights the devastating impact of the Spanish Flu and the mistreatment of the children in the Rockefeller-run occult hospitals. Their deaths are portrayed as a tragic result of human greed and indifference to suffering.
  • Psalm 17 – Prayer Against Persecutors: The film draws heavily on Psalm 17, which speaks of divine protection against persecutors. The children’s journey is framed as a metaphor for this prayer, as they struggle against those who seek to silence them. The message of the psalm—that God will deliver the righteous from their enemies—is echoed throughout the story.
  • The Number 13 and the Illuminati: The children’s connection to the number 13, which is often associated with the Illuminati, serves as a symbol of their divine mission and the forces working against them. The film suggests that the children were marked by destiny to challenge the Illuminati’s grip on the world.

Final Notes:

Nelly Furtado and Joe Jukic’s treatment for “The Prophets of Fatima” blends historical drama with mystery and thriller elements, creating a powerful narrative about the clash between divine revelation and human power. The film’s themes of persecution, sacrifice, and the struggle for truth resonate with contemporary issues of control, corruption, and the fight for spiritual freedom. Through the lens of the three children’s story, the film explores the timeless battle between good and evil, and the enduring power of faith in the face of overwhelming adversity.

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Creative Writing Treatment 1

Movie Treatment: “The Spark of the Universe”

Written by: Nelly Furtado and Joe Jukic

Genre: Biographical Drama / Historical Fiction

Logline: The life of Nikola Tesla, the brilliant inventor whose vision for a world powered by clean, limitless energy was stifled by greed and betrayal. With the support of his friend Mark Twain and the opposition of enemies like J.P. Morgan and Thomas Edison, Tesla’s journey explores the power of the human spirit to harness the wheelworks of the universe and the cost of pursuing a higher calling.


ACT 1:

The film opens with a young Nikola Tesla (played by a young actor with a magnetic, intellectual presence) in his native Serbia, staring at the night sky, captivated by the vastness of the stars. The voice of his mother echoes in his mind, urging him to seek knowledge and find a way to harness the forces of nature. His fascination with electricity is sparked early, and it’s clear that Tesla is destined for greatness.

We see Tesla’s journey to America, where he meets Thomas Edison (played by a charismatic actor with a mix of charm and ruthlessness) and begins working for him. Tesla’s early optimism quickly turns to disillusionment as he realizes Edison’s commitment to the direct current (DC) system is driven more by personal gain than by the pursuit of true progress. Edison’s attitude towards Tesla is dismissive and controlling, a foil to Tesla’s idealism.

Tesla’s breakthrough moment comes when he envisions the alternating current (AC) system, a more efficient and scalable way to transmit electricity over long distances. The film delves into Tesla’s internal struggles—his relentless pursuit of innovation at the expense of his personal life, his battles with loneliness, and his unwavering belief that his inventions could change the world for the better.

ACT 2:

Tesla’s fortunes take a turn when he meets Mark Twain (played by a witty and supportive actor) in New York. Twain, who is both a fan of Tesla’s genius and a believer in his vision, becomes Tesla’s closest friend and confidant. The two bond over their shared sense of humor, intellectual curiosity, and mutual respect for each other’s work. Twain encourages Tesla to continue his experiments, even as Tesla’s finances dwindle and his ideas face mounting opposition.

The film explores the rise of Tesla’s public profile as he demonstrates his inventions—wireless electricity, the Tesla coil, and the potential for a world powered by renewable energy. However, his success is tempered by the growing influence of J.P. Morgan (played by a wealthy, calculating actor), who becomes Tesla’s primary financier. Morgan’s interest in Tesla’s work is not driven by a desire to revolutionize the world, but rather by a desire to control the flow of energy and amass further wealth.

As Tesla’s inventions begin to threaten Morgan’s financial empire, the tension between them intensifies. Morgan, threatened by Tesla’s ideas, withdraws his funding for the Wardenclyffe Tower project, which was meant to be the world’s first wireless transmission station. The betrayal by Morgan is a pivotal moment in Tesla’s life, setting him on a path of financial ruin and isolation.

ACT 3:

Tesla’s rivalry with Edison reaches its peak as Edison launches a smear campaign against Tesla’s AC system, claiming that it is dangerous and impractical. Edison’s influence and wealth give him the power to spread misinformation, leading to public fear and distrust of Tesla’s vision. Tesla’s idealism and refusal to compromise on his principles make him an outcast in the world of corporate greed and power.

In a powerful scene, Tesla is seen standing before a massive machine, the Wardenclyffe Tower, as it begins to hum with energy. He quotes Psalm 1:

“Blessed is the man who walks not in the counsel of the wicked, nor stands in the way of sinners, nor sits in the seat of the scornful. But his delight is in the law of the Lord; and in his law doth he meditate day and night.”

The verse symbolizes Tesla’s unwavering commitment to harnessing the natural forces of the universe, not for personal gain, but for the betterment of humanity. Tesla believes that true happiness and fulfillment come from aligning oneself with the laws of nature and the cosmos, not from seeking fame or fortune.

The film culminates in a tragic yet inspiring finale. Tesla’s final years are marked by poverty and neglect, but his legacy lives on. As he dies alone in his New York apartment, the camera lingers on the image of a glowing lightbulb—Tesla’s symbol of the energy he believed could illuminate the world. The closing scene shows the world in the present day, where Tesla’s ideas have finally been recognized and are being used to power cities with renewable energy, a testament to his vision.


Themes:

  • Vision and Idealism: Tesla’s unwavering belief in the potential of science and technology to improve the world, despite the personal and professional sacrifices he made along the way. His pursuit of a higher calling is contrasted with the greed and corruption of his enemies.
  • Friendship and Loyalty: The relationship between Tesla and Mark Twain serves as a beacon of hope in Tesla’s otherwise lonely and challenging life. Twain’s support is a reminder of the importance of having allies who believe in your vision.
  • Greed vs. Altruism: The film explores the tension between Tesla’s altruistic desire to benefit humanity and the greed of figures like J.P. Morgan and Thomas Edison, who seek to control and profit from Tesla’s ideas.
  • Psalm 1 and True Happiness: Tesla’s belief that true happiness comes from aligning oneself with the laws of the universe, not from personal wealth or fame, is reflected in the themes of Psalm 1. His legacy is ultimately about the pursuit of knowledge and the betterment of mankind, not personal glory.

Final Notes:

Nelly Furtado and Joe Jukic’s treatment for The Spark of the Universe offers a fresh, emotionally charged take on the life of Nikola Tesla. By blending historical events with philosophical reflections, the film highlights Tesla’s genius, the obstacles he faced, and the profound impact his work continues to have on the world today. The film’s exploration of Psalm 1 serves as a powerful thematic thread, showing how Tesla’s quest for knowledge was guided by a higher sense of purpose.

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Rise of the Canadian Exercise Czar

Joe Jukic’s Pandemic Gut and the Rise of the Canadian Exercise Czar

Joe Jukic leaned back on his creaky recliner, his pandemic gut protruding proudly over the waistband of his sweatpants. The remains of a poutine sat on the coffee table beside him, and an empty bottle of maple syrup hinted at his snacking habits.

Three years of lockdowns had turned Joe from a fit, active guy into a self-proclaimed “master of couch surfing.” He had watched every hockey game, binged every Canadian sitcom, and even rewatched Trailer Park Boys twice. Exercise? That was a distant memory.

His brother Bruno Jukic, however, was a different story. Bruno had spent the lockdown transforming their parents’ garage into a makeshift gym, complete with weights, resistance bands, and a giant poster of Arnold Schwarzenegger that read: “Come with me if you want to lift.”

Bruno burst into Joe’s living room, his muscles practically bursting out of his flannel shirt. “Joe! Enough is enough, eh? You’ve got to get off your butt and get moving!”

Joe groaned, reaching for a bag of ketchup chips. “Bruno, buddy, I’m living my best life here. Why mess with perfection?”

Bruno rolled his eyes. “Perfection? You look like you swallowed a keg of Molson.”

Joe smirked. “It’s called a survival strategy. Keeps me warm during those cold Canadian winters.”

Bruno wasn’t having it. He slammed a flyer onto the table. “I’m going for it, Joe. I’m applying to be Canada’s first-ever Exercise Czar. The government’s looking for someone to get the country moving again after the pandemic, and I’m their guy.”

Joe squinted at the flyer. “Exercise Czar? Is that even a real thing?”

“It will be when I’m done with it,” Bruno said, flexing dramatically. “I’ve got the plan, the passion, and the motto. You’ve heard of Arnold’s ‘Come with me if you want to lift’? Well, I’ve got my own: ‘No mo’ moose belly—let’s get fit, eh!’

Joe chuckled. “Catchy. But what’s your first move if you get the job?”

Bruno grinned. “My first move is you, Joe. You’re going to be my poster boy for the campaign. If I can get you in shape, I can get anyone in shape.”

Joe’s laughter stopped abruptly. “Wait, what?”

“You heard me,” Bruno said, hauling Joe out of his recliner with surprising ease. “We’re starting right now.”


The Transformation Begins

Bruno’s regimen was intense. Early morning jogs around the neighborhood (“Come on, Joe, pretend you’re chasing a Tim Hortons truck!”), lifting logs in the backyard (“This is how lumberjacks do it!”), and even impromptu Zumba sessions set to Nelly Furtado’s greatest hits.

At first, Joe resisted every step of the way. “This is torture!” he whined during their first plank challenge.

“It’s progress!” Bruno shot back, adjusting his toque.

But as the weeks went on, something unexpected happened. Joe started to feel… good. His energy levels soared, his gut began to shrink, and he discovered a newfound appreciation for Nelly Furtado’s music.

One day, as they were biking through the park to I’m Like a Bird, Joe turned to Bruno. “You know, I think I’m starting to get it. This whole exercise thing—it’s not just about looking good, is it?”

Bruno grinned. “Nope. It’s about feeling good. And proving to yourself that you can do hard things.”


A Surprise Endorsement

The day Bruno’s application for Exercise Czar went public, something incredible happened. Prime Minister Nelly Furtado herself tweeted:

“Bruno Jukic’s motto—‘No mo’ moose belly’—is exactly what Canada needs right now. I fully support his campaign to get us moving again. Let’s do this, eh!”

The tweet went viral, and soon Bruno was a national sensation. But he never forgot his roots—or his brother.

At the official launch of Canada’s new fitness initiative, Bruno stood on stage with Joe by his side, both of them clad in matching flannel workout gear.

“Three years ago, my brother Joe was the epitome of the pandemic slump,” Bruno announced to the crowd. “Today, he’s proof that with determination, support, and a little Nelly Furtado, anyone can turn their life around.”

The crowd erupted in cheers as Joe flexed awkwardly, his once-prominent gut now a distant memory.

And as Powerless (Say What You Want) played over the speakers, Joe and Bruno led the crowd in a celebratory dance, proving that fitness—and family—could bring Canada back stronger than ever.

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