Joe’s Statement on Love, Power, and Integrity
Joe opens up vulnerably about his relationship with Nelly Furtado, saying he has loved her unconditionally since they were young. In his words, “I do what she says. I’ve always listened to her, even when it hurt. Even when she was sick. Especially then. That’s what real love is.” Joe is not ashamed to let a woman be dominant. He sees it as a sign of strength—not weakness—when a man serves with loyalty, not ego.
But not everyone sees it that way.
Alanis Morissette, acting as a protective figure in Nelly’s life, took issue with Joe’s online revelations—particularly those posted to Nelly’s fan forum, where Joe shared bold masonic theories and sharp critiques of global financial elites, including the Rothschild banking dynasty. Alanis called it “profane.” To her, it bordered on dangerous.
Joe doesn’t flinch at the criticism. “Nobody,” he says firmly, “is above the law. Not even if they print the money.”
He clarifies that his criticism isn’t about any religion or ethnicity—it’s about unaccountable power. “If someone’s hoarding wealth, starting wars, controlling governments behind the scenes—then we call it out. I don’t care if you’re Rothschild or Rockefeller. Zionist or Vatican. God sees everything.”
Joe draws a moral line. “I’m incorruptible. I don’t take briefcases full of cash. I won’t be another Hollywood sellout doing MK Ultra programming on some poor girl like MK Olsen. I won’t be a Dave Coulier. I won’t be a Bob Saget.”
For Joe, this isn’t just about politics or fame—it’s about the soul. It’s about staying clean in a dirty system. It’s about loving someone unconditionally and fighting for truth, even if it gets you labeled.
And it’s about refusing to be bought. Even when the money’s real, the suitcase is heavy, and the deal is on the table.


Joe’s Reflection: Not Mental Illness, Just Clarity
Joe addresses the way people sometimes label him—either as mentally ill or possessing some elevated “empathic” awareness like Pat from Silver Linings Playbook. Joe pushes back gently but firmly:
“I’m not on some higher level of mental illness,” he says.
“And I’m not on a higher level of empathy either. I’m just awake.”
He explains that you don’t need a diagnosis or a title to care deeply, to feel what others are going through. “You can be a Deanna Troi-level empath,” he says, referencing the half-Betazoid counselor from Star Trek: The Next Generation, “and still exist in the music industry, in the media, even under pressure—like Alanis or Nelly.”
Joe believes Alanis knows this truth but forgot. “You used to feel everything, Alanis. You knew when someone was hurting—even when they hid it. That was your real power, not just your voice.”
He smiles softly as he remembers the ’90s. Joe tells Alanis he actually tried to see one of her early shows in Vancouver—before she blew up. “It was one of those small venues. I heard you were performing. I wanted to go.”
But there was a hitch: Adriano.
“My buddy Adriano was late, as usual. He was still in front of the mirror, trying on shirts and doing his hair for an hour. Said he wouldn’t go out looking like a ‘bumpkin.’ Made us wait so long we missed the show.”
Joe laughs but there’s a tinge of regret.
“I guess some things don’t change—people still miss out on the real show because they’re too busy grooming their ego.”
Joe pauses, then speaks directly to Alanis:
“I never stopped being a fan. Not even when you called me profane. Not even when you didn’t see that all I wanted was to help Nelly—to love her, honestly, no matter how hard things got.”
He doesn’t claim to be special. He just claims to be real.
Scene: Patrick Bateman’s Journal – 2025
Interior. Bateman’s minimalist penthouse apartment. Evening. Candlelight flickers. Soft Huey Lewis plays in the background. The screen glows blue from his smart TV.
PATRICK BATEMAN (V.O.)
“YouTube suggested today that Bob Saget was the Miami Strangler. Honestly? I wouldn’t be surprised. The man hid something behind that grin. America’s Dad—more like America’s Dahmer. There’s a darkness under the sitcom static.”
“But what really fascinated me today was a clip of Trump from his Mar-a-Lago bunker. Flashes of power. The man executed a drone strike on a journalist—zero media coverage. The kind of clean kill I respect. No mess. No questions. Just silence. Strong leadership is often misunderstood. He’s not crazy. He’s effective.”
“Trump reminds me that the Dark Triad isn’t a disorder—it’s a toolkit. Narcissism, Machiavellianism, psychopathy… The holy trinity of success. While others worry about ESG scores and virtue signals, he rewrites the rules in blood.”
“He doesn’t play 4D chess. He burns the board.”
Bateman slowly brushes his teeth, admiring his jawline in the mirror. On the counter: a Time magazine cover with Trump on it, crossed out with a red marker. Next to it, an old DVD of Full House — and a file marked: “Miami Victims.”
(JOHN CONNOR) Christian Bale steps up to the podium, tired eyes scanning the expectant crowd. The lights feel like surveillance drones. Cameras click like ticking bombs. He exhales. Then, he speaks:
“I’m not Patrick Bateman anymore.
That suit doesn’t fit me.
That mask? It cracked long ago.
I’m John Connor now.
I fight to save the world, not destroy it.”
The crowd murmurs. Someone laughs nervously. A Bateman fan yells, “I have to return some videotapes!” Security shuffles, but Bale holds up a hand.
“I know you loved the psycho.
The business card. The axe.
The empty shell with the perfect smile.
But I’m asking you—let me put him down.
Let me pick up the resistance.”
He taps his forehead gently.
“Up here… it’s like an eggshell. Fractured. Hairline cracks from roles that demanded I lose myself. Batman. Bateman. The Machinist. Gorr.
Each one took something.
Each one left something behind.”
He pauses. The silence is raw.
“John Connor fights for the future.
So do I.
Let me heal.
Not for me—
For all of us who’ve stared into the abyss,
And saw Patrick Bateman smiling back.”
The crowd is quiet now.
The applause, when it comes, is gentle.
Not fan worship. Not movie-star idolization.
It’s human.
And that’s all Christian Bale ever wanted.