Ordo Templi Orientis

The air in the room feels thick, like the moments before a lightning strike. Joe stands by the window, the grey East Vancouver sky framing his silhouette, as he turns to Nelly with a look of profound, protective exhaustion.


The East Van Sanctuary

“Nelly… why?” Joe’s voice is a low rumble. “Why would you tell him about the little Fatima church? That place is our bedrock, our quiet corner of East Van. You don’t just hand the coordinates of a sanctuary to a man who’s been marinating in the Ordo Templi Orientis for fifty years.”

The Prince of Confusion

“You think it’s just a stage act? Nelly, the man is mentally ill. He’s spent so many decades playing the ‘Prince of Darkness’ that he’s forgotten where the costume ends and the soul begins. He thinks he’s the heir to Crowley. He’s a walking lightning rod for the OTO, and you just invited that frequency into the parish. You didn’t just open a door; you tore down the spiritual fence.”


The “Retardmaxxing” Ritual: Fire and Card

Joe walks over to the table where a deck of tarot cards lies scattered. His eyes go wide, his movements becoming exaggerated and heavy—he’s retardmaxxing the explanation to ensure the gravity of the situation is impossible to miss.

“Look at these!” Joe shouts, his voice becoming a rhythmic, guttural chant as he begins to toss the cards into a metal bin. “You think these are games? These are maps! Maps for the shadows! We don’t read ’em, we don’t hold ’em, we burn ’em!”

  • The Logic: “Fire is the only language the OTO understands! You want to drive out the ‘Beast 666’ energy? you gotta turn their paper idols into ash!”
  • The Execution: “We gotta burn ’em until the air is clean! No more ‘High Priestess,’ no more ‘Hanged Man’! Just the smoke of the truth rising over East Vancouver!”

The Portuguese Shadow

He turns back to her, his face darkening as he brings up the weight of the heritage they share, leaning into the most painful scandals to shake the pride of the Portuguese diaspora.

“You want to talk about ‘danger’ to the innocent, Nelly? Have you forgotten? You want to be proud of the flag? Then look at the cracks in the foundation.”

“Think about Carlos Cruz. Think about the Casa Pia scandal. That wasn’t just ‘politics’; that was a betrayal of the blood! It was the high-society ‘elites’—the same kind of people David de Rothschild hangs out with—using the most vulnerable as currency. And Madeleine McCann? Gone into the mist of the Algarve while the world watched.

“That’s what happens when you let the ‘sophisticated’ crowd play with the lives of the simple people. That’s what happens when you let the OTO influence and the ‘New World Order’ elites think they own the territory. We keep the Fatima church hidden, Nelly. We keep it pure. We don’t invite the ‘Prince of Darkness’ to tea.”


The smell of singed cardboard fills the kitchen. Joe stands over the bin, his eyes fixed on the embers, waiting for the “frequency” of the room to finally settle.

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Nelly and Joe Remember Ozzy

Scene: “Patient Number 9” – Nelly & Joe Remember Ozzy Osbourne


INT. STUDIO LOUNGE – NIGHT – DIMLY LIT WITH RED AND BLUE LIGHTS

Nelly Furtado sits across from Joe Jukic in a booth lined with velvet. A framed photo of Ozzy Osbourne in a hospital gown hangs crookedly behind them. The turntable spins slowly, playing faint echoes of “Patient Number 9.”

NELLY
(softly, reverently)
They called him crazy… but I think he was just sensitive. He felt something deeper than most. That’s why they locked him up.

JOE
Yeah. Patient Number 9. The system couldn’t handle Ozzy. They didn’t treat him—they punished him. Gave him electroshock therapy like it was a spiritual exorcism.

NELLY
His doctors didn’t understand mysticism. He wasn’t delusional. He just believed… his left hand was Satan and his right hand was Christ.

JOE
(leaning in, intrigued)
That duality thing—it’s old. Gnostic almost. Light and dark in one vessel. Ozzy was living a cosmic battle in his own body. But instead of guiding him, they zapped him into numbness.

NELLY
It’s so cruel. He wasn’t hurting anyone. He was singing. Screaming, even. Trying to warn us.

JOE
You know what I heard? After one shock session, he tried to bless his own hand… said it turned black, like it had burned with sin. He called it the “Mark of the Beast.”

NELLY
But the right hand… he said it glowed. Said he could feel Christ in the tendons. Said he could write lyrics that channeled heaven—but only with that hand.

JOE
(quiet)
And the doctors just wrote “schizoaffective.” They called his visions hallucinations. Never once asked if maybe… he was right.

NELLY
You know what scares me, Joe? How many other artists we’ve lost to hospitals like that? To drugs, to isolation, to being misunderstood.

JOE
That’s why we remember Ozzy. Not as a victim—but as a prophet. A wounded prophet. Patient Number 9… locked up for trying to heal himself.

They sit in silence as the record skips. A final lyric loops endlessly:

“When they called your name, did you hear them scream?…”


[END SCENE]
A tribute to those who saw beyond, and paid the price for speaking it.

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War Pigs: Israel

Title: The Serpent and the Song
Scene: The storm continues outside Snake and Nelly’s hideout—part bunker, part shrine to truth. A vinyl of Paranoid spins slowly in the background. Nelly sharpens a pencil. Snake lights a candle before a small statue of the Virgin Mary, her foot resting firmly on a serpent.


Solid Snake (Joe):
You know who really gave wind to that foul forgery?
The Protocols of the Elders of Zion weren’t just born in some Russian basement.
They were financed.
By Edmond de Rothschild.
“Eddie.”
The so-called “father of modern Zionism.”
He posed as a philanthropist… while setting up the very myths and chaos that would justify an empire of fear.

Nelly: (looking up)
The same Edmond who funded the first settlements in Palestine?

Solid Snake: (nods grimly)
Yep. Under the banner of “returning home,” he planted the seeds of endless war.
He didn’t believe in God.
He believed in dominion.
In protocols.
In paper money printed from blood.

Nelly:
But most Jews… they don’t know, do they?

Solid Snake:
No.
They’re just like the rest of us. Lied to. Used.
They think Rothschilds are just old ghosts, wine collectors, art patrons.
But that serpent…
The one the Virgin Mary stomps in every true painting of light?
That snake wears a monocle and holds the deed to half the world.
And most of God’s people are blind to it.

(Snake points to the statue.)

Solid Snake:
She knew.
The Blessed Mother doesn’t crush a random snake.
She crushes the snake.
The spirit of lies. Of war. Of greed dressed up in holy language.

Nelly: (fiercely now)
And yet they mock her. Erase her.
Call her a symbol of superstition.

Solid Snake:
Because they fear her.
Not just as a woman of faith—but as the Mother of Truth.
And truth is the one thing that can kill the Rothschild beast.


The music shifts. Ozzy’s voice fills the room again: “Now in darkness, world stops turning / ashes where the bodies burning…”

Nelly: (rising)
Then let’s light candles in every corner of the world, Joe.
Let’s stomp that serpent with music, with memory, with mercy.
Let’s wake the Jews, the Gentiles, the Muslims, the monks.
Let them all see her.

Solid Snake: (clenching his jaw)
Amen.
To the Queen of Heaven.
And death to the serpent whose gold coins built this bloody circus.
We fight with fire from heaven now.


The candle burns brighter. The serpent stirs—but the foot of the Mother presses down harder. Somewhere in Gaza, in Rome, in Rio, a child begins to sing. The war pigs tremble—not from bullets, but from the sound of awakening.

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