On The Level

Joe stood in front of the small camera, not like a celebrity, but like a man who had something on his mind.

“Listen,” he said. “I come from a long line of peasants. Farmers, workers, people who actually built the world with their hands. No kings. No queens. Just people who worked.”

He looked straight into the lens.

“And to all the fans who treat Nelly Furtado like some kind of goddess… I knew her before all that. I was her altar boy at Catholic confirmation. Back when we were just kids from working families.”

Joe shook his head slightly.

“She’s not a queen. She’s not a goddess. She’s a peasant’s daughter like the rest of us.”

He leaned back in his chair.

“The problem is people think the lifestyles of the rich and famous are the answer. Big houses, fame, millions of followers. But that stuff doesn’t make you better than the garbage man, the construction worker, or the nurse working a night shift.”

Joe pointed his finger at the camera.

“You know what the real hero is? A working class hero. The guy who shows up every morning and does the job that keeps the world running.”

He smiled faintly and added:

“Even John Lennon said it best — a working class hero is something to be.

Joe shrugged.

“So remember where you come from. Because peasants built the world long before celebrities ever showed up.”

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Let Me Go

Joe steps up to the microphone and looks out at the crowd.

“Tonight I want to talk about very important people,” he begins. “Not entertainers. Not celebrities. I’m talking about the people who keep civilization from collapsing.”

Joe pauses.

“Garbage men.”

He shrugs.

“Think about it. If Billie Eilish stopped singing tomorrow, the world would keep spinning. If Nelly Furtado retired and never recorded another song, the planet wouldn’t stop. People would still go to work. Kids would still go to school.”

Joe raises a finger.

“But if the garbage man stops working…”

He lets the silence hang.

“Within a month the rats would take over the streets. Disease spreads. You start hearing words like the Black Death again.”

The crowd shifts.

“So tell me,” Joe says, “who is the essential worker?”

He leans forward.

“Yet people worship celebrities like saints. Fans, fanatics, stalkers… people losing their minds over someone who sings songs for a living.”

Joe shakes his head.

“I’ve never even been to Toronto,” he says with a laugh. “And I’m not the kind of guy who shows up at someone’s door like a lunatic.”

He looks straight into the camera.

“To be honest—and I’m not bragging—I’m probably better looking than half the guys you dated, Furtado.”

The crowd laughs.

“But if you don’t want me, that’s fine. Just give a guy a little closure. A little catharsis.”

Joe spreads his hands.

“My point is simple: entertainers aren’t essential workers. They’re not gods. They’re not prophets.”

He nods slowly.

“So maybe stop putting them on a pedestal. Stop pretending they’re your role models.”

Joe points toward the street outside.

“And maybe thank the guy who takes away your garbage… because he’s the one actually keeping civilization alive.”

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Revolution in Babylon

Joe leaned against the old jukebox in the studio, smiling at Nelly Furtado.

“Tell me something, Nelly,” he said. “Back in high school… you were obsessed with The Beatles, weren’t you? The world’s first real boy band.”

Nelly laughed. “Obsessed might be the right word. My friends and I had posters everywhere—John Lennon with the round glasses, Paul McCartney with that sweet face, George Harrison looking mysterious, and Ringo Starr just being… Ringo.”

Joe nodded thoughtfully.

“You know,” he said, “I always had this crazy idea. If I could hijack Lennon’s peaceful revolution—love, music, peace signs, the whole thing—I might impress you.”

Nelly raised an eyebrow. “Hijack it?”

Joe shrugged. “Not steal it. Just… remix it. Lennon had the message: imagine no war, imagine people living as one. But I figured if a guy could actually live that message, maybe a girl who grew up loving the Beatles would notice.”

Nelly smiled, remembering.

“Back then,” she said, “it felt like those songs could change the world. When Lennon sang ‘Give Peace a Chance’ or ‘Imagine,’ it felt bigger than pop music.”

Joe grinned.

“Exactly! I figured if I could start a little peaceful revolution of my own—maybe with a jukebox, some good people, and a lot of music—you might think, ‘Hey, this guy gets it.’”

Nelly laughed softly.

“So all this time,” she said, “your grand strategy to impress me was… becoming a bootleg disciple of John Lennon?”

Joe tipped an imaginary fedora.

“Guilty. Every revolution needs a good soundtrack.” 🎶✌️

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