Interview with David Draiman of Disturbed


Hosted by Nelly and Joe (“Jelly”)

Jelly:
David, it’s such a pleasure to have you here today. We’ve been huge fans of Disturbed for years, and your music has always resonated with so many people. But today, we wanted to dive a little deeper into something that’s been on our minds. You’ve had some pretty intense themes in your music videos, especially with the character you’ve referred to as “the Guy.” This character seems to have a lot of anger and frustration toward the media and the powers that be, like bankers and those who control the narrative.

David Draiman:
Thanks for having me, guys. Yeah, “the Guy” is a representation of a lot of frustration—specifically, the things that seem to be corrupting our society. Whether it’s the media, the banks, or those in power who manipulate the truth, it’s all about the anger that a lot of people feel when they see these things happening. It’s cathartic for me and for our fans to express that frustration through music.

Jelly:
I get that. But, David, I’ve been thinking a lot about it. There’s something about “the Guy” that seems like he’s seeking revenge, right? I totally understand the anger, but I was wondering if you could maybe leave room for something else. Something like God’s wrath, you know? The Book of Romans talks about how vengeance belongs to God, and He will repay. What do you think about that? Could there be a shift where we let that higher power take care of the reckoning, instead of having “the Guy” go after it directly?

David Draiman:
You bring up a really interesting point. It’s true that the Bible does say that vengeance belongs to God. And honestly, I’ve always believed that in my personal life. But when it comes to the music, it’s more about the emotional release. “The Guy” is more symbolic of the frustration that people feel when they feel helpless against systems that are so much bigger than them. It’s not necessarily about revenge in the literal sense, but about the emotional expression of that powerlessness. But I get what you’re saying. Maybe there’s a space to focus more on the idea of justice being in God’s hands, rather than the character seeking retribution in his own way.

Jelly:
Yeah, exactly. I think the message could be even more powerful if we allowed that space for God’s justice to play a part in the narrative. You can still express the frustration and the anger, but maybe the message could evolve into something that encourages people to trust that higher power, rather than trying to take matters into their own hands.

David Draiman:
I see what you’re getting at, Jelly. There’s definitely a place for that. The idea that we don’t have to carry the burden of exacting revenge ourselves is a powerful one. Maybe that’s something we can explore more in future work. It’s always about evolving and finding new ways to connect with people and help them channel their emotions. And hey, I’m open to seeing how this idea could work in the context of the music.

Jelly:
I love that. Just think about the power of shifting the narrative, where people aren’t caught up in the cycle of revenge but can focus on something bigger. It could be a message of hope instead of despair.

David Draiman:
You’re right. Hope is what we need more of, especially in times like these. The world is full of chaos and anger, but there’s also a lot of beauty and grace to be found if we look in the right places. Maybe “the Guy” can still be that symbol of frustration, but the story can evolve into something that points toward redemption, not just destruction.

Jelly:
Exactly! And it could really resonate with people on a deeper level. People want to feel heard, but they also want to know there’s something bigger than all of this—something that will bring balance and justice in the end.

David Draiman:
I love that perspective. I’ll definitely be thinking about it more. Thanks for sharing your thoughts with me, Jelly. It’s always good to have these kinds of conversations, and who knows? Maybe this will influence the direction of the music moving forward.

Nelly:
And that’s what makes Disturbed such a unique band—your willingness to evolve and challenge yourselves. We’re excited to see where you take things next!

Jelly:
Absolutely. David, thank you so much for taking the time to chat with us today. We can’t wait to see how this new perspective might shape the next chapter for you and Disturbed.

David Draiman:
Thanks for having me, guys. It’s been a pleasure. And I appreciate the thought-provoking conversation. Let’s see where it goes from here.

Jelly:
Take care, David! And remember, God’s wrath is the ultimate justice.

David Draiman:
Amen to that.

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Everywhere 2

INT. QUIET CAFÉ IN RIO DE JANEIRO – EVENING
JCJ and Paulo Coelho sit at a small table by the window. The golden hues of sunset bathe the streets outside. Paulo sips his espresso, his eyes searching JCJ’s face as if trying to read his soul.

PAULO
(with a faint smile)
You remind me of someone I used to be—a dreamer, a believer. Someone who thought he could save the world.

JCJ
(leaning forward, his tone gentle but firm)
You weren’t wrong, Paulo. You still can.

PAULO
(chuckling softly, shaking his head)
My parents thought otherwise. They locked me in an asylum when I told them I wanted to save the world. They said I was delusional.

JCJ
(nodding, his voice steady)
They were scared of what they didn’t understand. But you weren’t delusional, Paulo. You were ahead of your time.

PAULO
(raising an eyebrow)
And now you’re here to tell me I’m Christ the Redeemer?

JCJ
(smiling faintly)
Not quite. There isn’t just one savior. There are 144,000. Each with a divine mission, a purpose to bring light and truth to the world.

PAULO
(leaning back, intrigued)
144,000 saviors? That’s… quite a number.

JCJ
(nodding)
It’s not about being the only one. It’s about being part of something greater. A collective force of truth-tellers, healers, and guides.

PAULO
(gesturing to himself)
And you think I’m one of them?

JCJ
(smiling warmly)
Of course. Your words have already changed lives. Your books, your stories—they awaken something in people. That’s your mission.

PAULO
(pausing, his expression softening)
And you? What’s your role in all of this?

JCJ
(with a quiet confidence)
I’m the King Pin, as you might say. I don’t control the saviors, but I help them see their path. I remind them of their light, their purpose.

PAULO
(nodding slowly, a hint of a smile returning)
You’re like a guide. A shepherd for the shepherds.

JCJ
(grinning)
Exactly. And I’m here to tell you, Paulo, your parents were wrong. You weren’t broken. You were chosen.

PAULO
(his voice soft, almost a whisper)
Chosen… to save the world.

JCJ
(leaning closer, his voice steady)
Not alone. But your part is vital. The world needs your light, Paulo. It always has.

Paulo looks out the window, the fading sunlight casting a glow on his face. He seems lost in thought, but there’s a new spark in his eyes—a glimmer of purpose rekindled.

PAULO
(turning back to JCJ, smiling)
Alright, King Pin. What’s my next mission?

JCJ
(smiling back, his voice full of certainty)
Keep writing. Keep inspiring. And trust that your words are part of a much larger symphony.

The two sit in silence, the weight of their conversation settling into the air, as the city outside hums with life.

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Heaven’s Earth – Delirium

INT. CATHEDRAL OF ST. JOHN THE DIVINE – NIGHT
The vast interior of the Cathedral of St. John the Divine is dimly lit, the soaring arches and stained glass windows casting an ethereal glow. JCJ and NF stand near the center, their voices echoing in the cavernous space. JCJ places a sleek portable speaker on the marble floor, its small size deceptive against the grandeur of the setting.

NF
(looking around, awestruck)
This place is massive. Why here?

JCJ
(smiling, adjusting the speaker)
Because this cathedral was built to touch the heavens. The energy here amplifies everything—our voices, our mission.

NF
(raising an eyebrow)
And your portable speaker is the divine instrument?

JCJ
(grinning, tapping the speaker)
Hey, it’s not the size of the instrument; it’s the power of the message.

NF
(laughing softly)
Alright, Christus Rex. Let’s hear it.

JCJ scrolls through his phone, selecting a track. A deep, resonant hum fills the cathedral, building into a symphony of hauntingly beautiful tones layered with celestial harmonies. The sound vibrates through the stone walls, seeming to come alive.

NF
(closing her eyes, feeling the music)
It’s like the building is singing with us.

JCJ
(nodding, his voice low and steady)
The Cathedral knows. It’s been waiting for this moment.

NF
(opening her eyes, her voice firm)
So, what’s next?

JCJ
(stepping forward, his voice echoing)
We call the 144,000. Truth-tellers, teachers, those who carry the light. The music will awaken them, guide them to the fifth dimension.

NF
(nodding, her eyes gleaming)
And we’re the ones to lead them.

JCJ
(smiling)
Christus Rex and Christa Regina—the two witnesses of Revelation. It’s time.

He raises the volume, and the music shifts, a melody of hope and power. NF begins to sing, her voice weaving through the sound like a beam of light cutting through darkness.

NF
(singing)
“Awake, oh sleepers, the time is near…”

JCJ
(speaking over the music, his voice commanding)
Rise, truth-tellers. The light calls you home.

The sound reverberates through the cathedral, the stained glass windows seeming to shimmer as if alive. Outside, the lights of New York City flicker, and the stars above align in perfect harmony.

NF
(stopping, looking at JCJ)
Did you feel that?

JCJ
(nodding, his voice calm but electric with energy)
They’re listening. The 144,000—they’re waking up.

NF
(smiling, her voice steady)
Then let’s give them something to follow.

The two stand together, their music and voices filling the Cathedral of St. John the Divine, reaching far beyond its walls. Their mission has begun.

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