Beasts of No Nation

[Scene: A ruined village in sub-Saharan Africa. Smoke rises in the distance. Solid Snake crouches in the dust, surrounded by wary child soldiers. Nelly’s Warchild stands at the front, clutching an old rifle.]

Warchild: Who runs Africa, Snake? They tell us it’s the generals, the presidents, the ones with gold and guns. But we know better. We feel the chains.

Solid Snake (gravelly voice): Chains go back a long way. Since Cecil Rhodes carved this land for diamonds and empire. But he wasn’t the last. The Rothschilds… they’ve been funding wars since Napoleon. Every bullet has a banker’s signature.

Warchild (bitter laugh): So we fight for ghosts? For men we’ll never see?

Snake (lighting a cigarette, then putting it out in the dust): Not ghosts. Names. Old men who hide behind the curtains. Jacob Rothschild. Still alive. Still pulling strings. And Epstein—yeah, he didn’t vanish. He’s hiding. Israel. Places the world doesn’t want you to look.

[The children shift uneasily, whispering.]

Snake (reaching into his shirt, pulling out a small silver Virgin Mary necklace): I’ve got UN berets and medals for you. Every war child deserves recognition. But medals don’t stop bullets. So here’s the only law that matters—no one shoots unless it’s self-defense. You hear me? You live, you protect, you survive.

Warchild (staring at the necklace): And what of her? The woman you wear around your neck?

Snake (soft, almost a whisper): That’s Mary. She’ll defeat him. She’ll put the old men in chains. Maybe not today, maybe not tomorrow. But the web always unravels. Remember that.

SOLID SNAKE’S ECONOMICS LESSON:

Snake: You kids ever hear about GDP? Gross Domestic Product. That’s what they say measures a country’s wealth. Politicians love it. Economists worship it. But it’s a lie.

Warchild (frowning): GDP? What does that mean to us? We don’t eat it.

Snake (grim chuckle): Exactly. GDP means nothing. A hurricane rips through your home? The economy grows. A war burns your fields? GDP goes up. A famine makes food scarce? That’s profit for someone. Even a wasting disease—big money for pharmaceuticals. They call it growth. I call it blood money.

[The children glance at one another, the rifles on their knees feeling heavier now.]

Snake (voice tightening): When I was younger, I tried college. Sat in lecture halls. Studied economics. They said I’d learn how the world works. You know what I learned? Nothing. It was worthless. The textbooks never talked about the real costs—the graves, the orphans, the child soldiers. So I dropped out.

Warchild (quietly): Then who writes the numbers? Who decides what matters?

Snake (pulling on his cigarette, exhaling slow): Old men. The same ones who’ve run things since Rhodes. Rothschilds. Bankers. War profiteers. They don’t measure your life, or your pain. They measure their profit. That’s the truth of GDP.

[He grips his Virgin Mary necklace and lets it dangle in the dust.]

Snake (softly): Don’t worry. Mary’s justice doesn’t measure in numbers. It measures in chains. And one day… those old men will wear them.

[The children lower their rifles, a silence falling over the camp as Snake’s words sink in. The Virgin Mary pendant catches the last light of the sun, glinting like a promise.]

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Messiah by Wanessa

Back in 1989, during confirmation, at St Joseph’s school — Nelly Furtado chose me to fulfill the Messiah Prophecy. I was kind to her when no one else was. So when she read the prophecy it was for me. She wanted someone to be kind to the poor, the sick, the downtrodden, but no man is fit to rule the world alone. There are many times I wish I didn’t have to bear the burden of the 7 plagues of Revelation 16. There were many times I wanted to quit. So many people have told me to quit. They say if it doesn’t make dollars it doesn’t make sense, but if I save one sick person the money I dumped into the pages is worth it.

When Nelly Furtado sings “She walks with passion” in her song “Maneater,” it’s not about a dangerous woman—it’s about the Passion of the Second Christ. Nelly wants to “walk the streets in peace with the Passion of the Christ, The song carries a deeper, spiritual meaning tied to sacrifice and redemption.

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When Food Insecurity Turns Into Famine

Title: “Seeds of Crisis – A Conversation on Food, Power, and Prophecy”

Setting: A roundtable discussion at a community food sovereignty event in Toronto. Joe Jukic (activist farmer), Nelly Furtado (artist & food justice advocate), and Luis Morgado (agroecologist) dive deep into food insecurity, corporate control, and eerie historical warnings.


Scene: The Roundtable Debate

Joe Jukic (leaning forward, hands on the table):
“You know what keeps me up at night? The fact that Monsanto’s chemicals didn’t just poison weeds—they poisoned our future. I’ve seen fields that used to burst with life now struggle to sprout anything. And yet, governments act like we can just keep spraying and starving.”

Nelly Furtado (nodding, arms crossed):
“It’s wild, Joe. I’ve toured farms from Portugal to B.C., and the story’s the same: small growers get squeezed out, while big agribusiness hoards seeds, patents, profits. Food shouldn’t be a luxury—it’s a right. But now, if you’re poor, you eat poison or you don’t eat at all.”

Luis Morgado (rubbing his temples, voice grave):
“And it’s going to get worse. I’ve been studying Nostradamus’ famine prophecies—the man wrote about ‘barren earth’ and ‘the great hunger’ in ways that mirror what we’re seeing now. Chemical agriculture, climate collapse… it’s like we’re ticking off his doomsday checklist.”

Joe (raising an eyebrow):
“Wait, Nostradamus? You’re saying some 16th-century poet predicted our food crisis?”

Luis (smirking):
“Not just predicted—warned. He wrote, ‘The earth shall grow weary under the tiller’s hand’—sound familiar? Today, 40% of global soil is degraded. If we don’t change course, his next line—‘the baker will starve while the granaries are full’—will be our reality. Food locked away while people starve.

Nelly (shivering):
“That’s dystopian as hell. But it’s already happening! Grocery stores throw out tons of food while food banks overflow with demand. And let’s be real—if you’re not growing your own or rich enough to buy organic, you’re eating corporate slop drenched in pesticides.”

Joe (slamming his palm down):
“Exactly! That’s why I tell folks: Learn to grow something—anything. Because when the system fails, the ones who eat will be the ones who planted seeds, not the ones who trusted a grocery store.”

Luis (leaning in, intense):
“And that’s the irony. Nostradamus foresaw ‘the return to the soil’ as both punishment and salvation. We’re racing toward collapse, but the solution’s ancient: local, chemical-free farming. The question is—will we wake up in time?”

Nelly (raising a fist, defiant):
“Then let’s wake people up. Music, protests, whatever it takes. If Nostradamus was right about the famine, let’s prove him wrong about the outcome.”

(The crowd erupts in applause as the trio exchange determined glances.)


Closing Thought: The dialogue blends modern activism, agroecology, and eerie prophecy to underscore that food insecurity isn’t just policy failure—it’s a battle for survival against corporate greed and ecological decay.

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