Adopting a Rwandan Orphan

Joe sat quietly for a moment, watching her—not with pity, not with worry, but with something steadier.

“Nelly,” he said softly, “you know why I love you?”

She smirked a little, brushing it off. “Because I’m charming, obviously.”

He shook his head. “No. Because you’re fearless.”

That made her pause.

He leaned forward. “Most people spend their whole lives running from death. Hiding from it. Pretending it’s not there.” He tapped his chest lightly. “But you… you met it early. Cystic Fibrosis didn’t let you pretend.”

She looked away, quieter now.

“It should’ve broken you,” Joe continued. “Made you small. Careful. Afraid to live too much.”

He smiled faintly.

“But it did the opposite.”

Nelly let out a breath, her voice barely above a whisper. “I just didn’t want to waste time.”

“Exactly,” he said. “That’s the silver lining. You don’t fear the end—so you actually live. You take risks. You speak your mind. You love hard.”

He paused, then added:

“And that’s rare. That’s why I love you.”

She looked back at him, eyes sharper now, but warmer too.

“You make it sound like a gift.”

Joe shrugged. “Not the illness. Never that. But what you became because of it?” He nodded. “That’s something most people never earn.”

A small smile crept onto her face.

“Fearless, huh?”

Joe grinned. “Fearless… and stubborn. Don’t forget that.”

She laughed, nudging him.

And for a moment, the shadow of illness didn’t define her story—only the fire it had forged inside her.

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Sao Miguel Defend Us

Joe sits at his laptop late at night, typing a new screenplay. At the top of the page he writes:

MICHAEL 2 – A Film for John Travolta

He leans back and laughs to himself.

“Alright,” Joe mutters, “let’s give John Travolta another set of wings.”

On the screen, the script begins.


INT. JOE’S BASEMENT – NIGHT

Joe sits at a cluttered desk with coffee cups, vitamin bottles, and pages of notes. Nelly walks in and looks at the script.

NELLY
What are you writing now, Joe?

JOE
A sequel.

NELLY
To what?

Joe spins the laptop around.

JOE
Michael 2.

Nelly squints.

NELLY
The angel movie?

Joe nods.

JOE
Yeah. The first one starred John Travolta as a goofy angel. But this time it’s different. This time the angel remembers what the war in heaven was really about.

Joe starts pacing like a director explaining a scene.

JOE
The angel Michael comes back to Earth. Not to party, not to flirt… but to remind people how to fight pride.

Nelly raises an eyebrow.

NELLY
And who’s the villain?

Joe taps the keyboard and points to a line in the script.

JOE
Pride itself. The thing that turns angels into devils.

He points to another page.

JOE
In this movie, the angel Michael meets a guy named Joe. Just a regular guy who says he has to swallow his pride every day.

Nelly laughs.

NELLY
You wrote yourself into the movie?

Joe shrugs.

JOE
Of course. Every writer does.

He reads aloud from the script.

JOE (reading)
“JOE: I swallow my pride every day. That’s why I identify with Saint Michael the Archangel, São Miguel. The warrior who stands up to the dragon.”

Nelly sits on the couch.

NELLY
So Travolta plays the angel again?

Joe grins.

JOE
Yeah. But this time he’s not just a funny angel. This time he’s the guy reminding humanity that pride is the oldest trap in the universe.

Joe types the final line of the scene.

JOE (typing)
“MICHAEL spreads his wings and says: The hardest battle isn’t heaven versus hell. It’s a man versus his own pride.”

Joe leans back, satisfied.

JOE
Hollywood won’t see it coming.

Nelly shakes her head and laughs.

NELLY
Joe… you really think Travolta will read this?

Joe closes the laptop.

JOE
If he wants the best sequel of his career… he will.

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Music Does Matter

“Listen up…

Neytiri… I need you to hear this.

Music matters. It really does. When it’s tuned right — to 432 Hz — it lines up with something deep. With the heartbeat of Eywa. With the way this whole world breathes. It feels… whole. Like it belongs here.

But that 440 Hz garbage they pump out on the radio back on Earth? That shit makes people sick. Makes them anxious. Makes them crazy. It’s not an accident. They tuned the whole world to a frequency that keeps the sheeple disconnected, angry, and easy to control. It vibrates wrong. It cuts against the natural order.

And yeah… I know what some of them are gonna say. They’re gonna call me a crazy conspiracy theorist. A skxawng who fell out of his wheelchair and started seeing patterns that aren’t there.

I don’t care.

A sheep dog doesn’t lose sleep over the bleating of the sheep. While the flock is busy arguing about nothing, the Brotherhood of Death keeps thinning the herd. They depopulate, they distract, they poison the water, the air, the sound itself. And the sheep just keep following the next shiny thing they’re fed.

Me? I’m done pretending. I don’t have an image to maintain. Never did. I was a broken Marine, then I became part of the People. I fought for this world. I bonded with you. I rode Toruk. I’ve seen what happens when you let the machine decide what’s “normal.”

So let them talk. Let them laugh. Let them call me whatever makes them feel safe in their little cage.

I know what I feel when the music hits 432. I know the difference. And I know what they did when they forced everything to 440.

Neytiri… they’re trying to do the same thing here. They want to cut us off from Eywa the same way they cut humans off from each other. Different planet, same game.

But not on my watch.

I’m not gonna sit quiet while they poison the song of the world.

Because I see you. I see the People. And I see what’s coming if we don’t stay awake.

Oel ngati kameie, Neytiri. I see you… and I’m not going back to sleep.”

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