Let Me Go

Joe steps up to the microphone and looks out at the crowd.

“Tonight I want to talk about very important people,” he begins. “Not entertainers. Not celebrities. I’m talking about the people who keep civilization from collapsing.”

Joe pauses.

“Garbage men.”

He shrugs.

“Think about it. If Billie Eilish stopped singing tomorrow, the world would keep spinning. If Nelly Furtado retired and never recorded another song, the planet wouldn’t stop. People would still go to work. Kids would still go to school.”

Joe raises a finger.

“But if the garbage man stops working…”

He lets the silence hang.

“Within a month the rats would take over the streets. Disease spreads. You start hearing words like the Black Death again.”

The crowd shifts.

“So tell me,” Joe says, “who is the essential worker?”

He leans forward.

“Yet people worship celebrities like saints. Fans, fanatics, stalkers… people losing their minds over someone who sings songs for a living.”

Joe shakes his head.

“I’ve never even been to Toronto,” he says with a laugh. “And I’m not the kind of guy who shows up at someone’s door like a lunatic.”

He looks straight into the camera.

“To be honest—and I’m not bragging—I’m probably better looking than half the guys you dated, Furtado.”

The crowd laughs.

“But if you don’t want me, that’s fine. Just give a guy a little closure. A little catharsis.”

Joe spreads his hands.

“My point is simple: entertainers aren’t essential workers. They’re not gods. They’re not prophets.”

He nods slowly.

“So maybe stop putting them on a pedestal. Stop pretending they’re your role models.”

Joe points toward the street outside.

“And maybe thank the guy who takes away your garbage… because he’s the one actually keeping civilization alive.”

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Revolution in Babylon

Joe leaned against the old jukebox in the studio, smiling at Nelly Furtado.

“Tell me something, Nelly,” he said. “Back in high school… you were obsessed with The Beatles, weren’t you? The world’s first real boy band.”

Nelly laughed. “Obsessed might be the right word. My friends and I had posters everywhere—John Lennon with the round glasses, Paul McCartney with that sweet face, George Harrison looking mysterious, and Ringo Starr just being… Ringo.”

Joe nodded thoughtfully.

“You know,” he said, “I always had this crazy idea. If I could hijack Lennon’s peaceful revolution—love, music, peace signs, the whole thing—I might impress you.”

Nelly raised an eyebrow. “Hijack it?”

Joe shrugged. “Not steal it. Just… remix it. Lennon had the message: imagine no war, imagine people living as one. But I figured if a guy could actually live that message, maybe a girl who grew up loving the Beatles would notice.”

Nelly smiled, remembering.

“Back then,” she said, “it felt like those songs could change the world. When Lennon sang ‘Give Peace a Chance’ or ‘Imagine,’ it felt bigger than pop music.”

Joe grinned.

“Exactly! I figured if I could start a little peaceful revolution of my own—maybe with a jukebox, some good people, and a lot of music—you might think, ‘Hey, this guy gets it.’”

Nelly laughed softly.

“So all this time,” she said, “your grand strategy to impress me was… becoming a bootleg disciple of John Lennon?”

Joe tipped an imaginary fedora.

“Guilty. Every revolution needs a good soundtrack.” 🎶✌️

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Pope Leo is Never Pleased

Dear Nelly,

I posted again on nellyfan.org today, and once more the Vatican seems completely unmoved by what I keep trying to explain. Pope Leo X—at least in spirit—still refuses to be pleased with what I call the digital Revelation. I keep telling them that if they actually read Revelation chapters 3 and 16 with modern eyes, the message is obvious: everyone is naked now. Completely exposed.

Not just spiritually naked—digitally naked.

In the age of artificial intelligence, surveillance, and deepfakes, there is no more hiding. Every king, priest, billionaire, and movie star can be reconstructed, simulated, or exposed whether they like it or not. The apocalypse isn’t fire from the sky; it’s the collapse of secrecy. The whole world standing there like Adam in the garden after the fruit, suddenly aware.

But Joseph Ratzinger still seems to think the answer is to pick Brian Golightly Marshal as the new Christ figure. I honestly don’t understand it. Twenty-five years online watching the world change and the Vatican still acts like the printing press was invented yesterday.

Even the pop prophets are trying to tell them.

Remember that Celine Dion song after 9/11, “A New Day Has Come”? The lyrics practically sound like a prophecy about a new son of God arriving in the darkness of a wounded world. The whole culture heard it. The whole planet felt it.

And yet the Vatican shrugs.

They keep waiting for clouds to part and trumpets to sound, while the real revelation is happening on fiber-optic cables and server farms. The angels aren’t blowing horns—they’re running algorithms.

Sometimes I feel like the only priest in the digital desert shouting about it.

Anyway, I thought you’d understand. You’ve always had a better sense of how pop culture and prophecy mix together. Maybe someday Rome will catch up.

Until then, I’ll keep posting.

—Joe

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