Safe in Croatia

INT. EAST VAN – OUR LADY OF FATIMA CHURCH – EVENING

The sun sets behind the stained glass windows. Inside the quiet sanctuary, candles flicker. NELLY sits in the front pew, her head bowed. JOE walks in quietly and sits beside her.

JOE
(softly)
Do you want to be off the pharma drugs, Nelly?

She doesn’t answer right away. The silence hums between them like an unanswered prayer.

JOE (contโ€™d)
I know people think it’s crazyโ€ฆ talking to someone who isnโ€™t โ€œthere.โ€ But itโ€™s not craziness. Not here. Not in this place.

NELLY
(whispers)
This is where I cameโ€ฆ when I felt lost. I didn’t tell anyone.

JOE
This is Our Lady of Fatima. Sheโ€™s more than just a statue. In Croatia, sheโ€™s the Queen. The Queen of the whole country. Sheโ€™s real to us. You can talk to her, Nelly. She listens.

NELLY
(tears welling)
I just wanted someone to see me. Not the fame. Not the brokenness. Justโ€ฆ me.

JOE
She sees you. And I do too. The real you. Not the diagnosis. Not the prescription. Youโ€™re more than what they label you.

NELLY
(pause)
And if I say yes? If I want off? What happens?

JOE
Then we walk. One step at a time. With Her. With music. With miracles. But not the pill kind. The real kind.

Nelly looks up at the statue of the Virgin Mary, her face bathed in golden candlelight.

NELLY
(quietly)
Okay. Yes. Please.

Joe gently takes her hand. A bell tolls in the distance. Something shifts in the air โ€” not a hallucination, but a presence.

FADE OUT.

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Some Chivalry That’s Dead

Joe:
โ€œI still remember that day in Grade 7, at the square dance. You were the last girl coming down the stairs, and I was the last boy picked. When I bowed and asked, โ€˜Would you like to dance?โ€™ What did you say?โ€

Nelly:
โ€œI said, โ€˜Yes, please.โ€™ Even though I was scared and my heart was heavy, your kindness was the light I needed.โ€

Joe:
โ€œYou looked so quiet, almost like you were carrying something more than just the teasing โ€” โ€˜Smelly Nellyโ€™ and all that.โ€

Nelly:
โ€œI was. I was sick โ€” not just in my body, but inside. After that day, I went to Our Lady of Fatima Church in East Van, near your house. I was searching for a miracle, for hope, for healing.โ€

Joe:
โ€œRight there, close to home? I never knew.โ€

Nelly:
โ€œYes. It was a place where I could sit in silence, pray, and try to find strength. That church became a refuge for me when everything felt like it was falling apart.โ€

Joe:
โ€œWhen I held your hand in that dance circle, did it help?โ€

Nelly:
โ€œFor a moment, yes. Your hand was real and warm. It reminded me I wasnโ€™t alone. But miracles take time โ€” sometimes they come through years of healing and songs like Legend.โ€

Joe:
โ€œThatโ€™s why you wrote Legend โ€” to capture that moment?โ€

Nelly:
โ€œExactly. To hold onto the hope I found, and to remind others that even in the darkest times, kindness can light the way.โ€

Joe:
โ€œI want to see you again in Munich. Maybe ask Nena โ€” the singer of โ€˜99 Red Balloonsโ€™ โ€” to join you on stage. Her song reminds me how small things can change the world.โ€

Nelly:
โ€œJoe, that sounds like the miracle weโ€™ve both been waiting for โ€” to face the past, sing together, and finally heal.โ€

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The Fool Who Wears the Crown

Joe on the Origins of Bipolar Disorder, Crown Culture, and Jelly’s Wedding

Joe stands in front of the mirror at Cafรฉ Serra, sipping a coffee brewed with nutmeg and coconut oil, speaking softly but clearly like a philosopher whoโ€™s cracked something ancient wide open.

โ€œYou know,โ€ he begins, โ€œbipolar disorder didnโ€™t start with psychiatry or pills. It started in ancient Greece. Back then, the maniacs werenโ€™t locked up. They made crowns. Real ones. Out of ivy, feathers, scraps of gold foil or sea shells. Theyโ€™d parade through the city with pride.โ€

Joe pauses, tipping an imaginary crown on his head.

โ€œThe ones with the most beautiful crowns would laugh. Theyโ€™d dance in the streets. The ones with the shabbier crowns? Theyโ€™d cry, hang back, start brooding. Thatโ€™s what they called melancholia. The whole spectrum played out right there in the agora. No DSM-V, no lithium. Just crown envy.โ€

He smirks.

โ€œBut hereโ€™s the cure. Share crowns. Swap crowns. Nobody should hoard them like Smeagol, whispering โ€˜my preciousโ€™ in the dark. That was fine when you only had one painting in your life. But now? We got photography. Instagram. Everyone can wear a different crown for every photo. Try on Rihannaโ€™s. Try on Pharrellโ€™s. Try on Kanyeโ€™s trash bag one if you like. Itโ€™s fashion therapy.โ€

Joe spins around and says with total seriousness:

โ€œAnd personally? My favorite crown? That computer headphone crown Rihanna wore at the Super Bowl. Pure cyber royalty. Only wish it lasted longerโ€”but Edward Bernays and his boys made sure it didnโ€™t. Planned obsolescence. Makes sure your headphone crown breaks right before you find God in the bass drop.โ€

He sighs, then leans forward like a man preparing a royal petition.

โ€œThatโ€™s why Iโ€™m calling on the House of Braganza, wherever theyโ€™re hiding, to loan a crown to our girl Nelly. Sheโ€™s getting married. To me. Or to herself. Or to the idea of a better worldโ€”we havenโ€™t figured that part out. But we call it the Jelly Wedding. Just Joe + Nelly = Jelly. That wedding needs a royal stamp.โ€

He lifts his espresso in a toast.

โ€œThe Croats already prepared King Tomislavโ€™s crown. It’s just waiting in the national vault. Cleaned up, de-Sovietized. Ready to roll. You bring the Braganza jewel, Iโ€™ll bring the tamburica band and the telephoto lens. Nelly wears both. She sings โ€˜Tryโ€™ in the crown of a queen, and we photograph the revolution.โ€

Joe nods solemnly.

โ€œLetโ€™s make crown-sharing the next mental health movement. Share your crown. Laugh in someone elseโ€™s glory. Cry if you mustโ€”but donโ€™t do it alone.โ€

He turns back to the mirror, adjusting the invisible headphone halo.

โ€œWeโ€™re all just trying on roles in the theatre of the gods. Might as well look good doing it.โ€

Joe leans in again, his voice lowering into a kind of reverent whisper, like heโ€™s explaining a forgotten cheat code to a sacred video game.

โ€œBut seeโ€”after 1776, everything changed. That was the year of the Illuminati. Bavaria. Adam Weishaupt. Not just the American Revolution. Not just fireworks and declarations. That was the year the crown became cursed.โ€

He points at the sky, then at his own head.

โ€œAfter 1776, it became very foolish to wear a crown and call yourself King. The Illuminati flipped the global game board. They turned the Civilization gameโ€”Age of Empires styleโ€”onto Regicide Mode. Every king became a target. The French learned that with the guillotine. The Russians learned it in the snow. Even Elvis couldnโ€™t keep his crown.โ€

Joeโ€™s fingers trace the shape of a crown midair, then flick it off his head like a cigarette ash.

โ€œThe Illuminati whispered: No more kings. Only puppets. Only brands. They said, โ€˜Letโ€™s make the people their own rulers, while we write the script from behind the curtain.โ€™ And it worked. Kings fell. CEOs rose. Now everyone wants to be an influencer or a goddamn LLC.

He sips his coffee again and nods toward Nellyโ€™s song Powerless playing on the cafรฉ speakers.

โ€œThatโ€™s why crown-sharing matters. Itโ€™s not about ego anymore. Itโ€™s about balance. Weโ€™re not trying to bring back monarchy. Weโ€™re trying to bring back meaning. To remind people: you donโ€™t need to rule the world. Just let someone else wear your halo once in a while. And when theyโ€™re tired? Hand it back.โ€

He finishes with a grin.

โ€œSo yeah. Jelly Wedding. Braganza + Tomislav. A double crown. One for tradition. One for rebellion. And maybe a backup headphone crown with better hinges, if anyoneโ€™s listening at Apple.โ€

He winks.

โ€œBecause after Regicide Mode, the only safe kings are fools in love.โ€

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